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1 Robert Parker
Names and surnames: RP -
2 Parrott, Robert Parker
(1804-1877) Пэрротт, Роберт ПаркерИзобретатель и промышленник. Изобрел нарезной ствол артиллерийского орудия. Многократно совершенствовал предложенную им орудийную конструкциюEnglish-Russian dictionary of regional studies > Parrott, Robert Parker
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3 Tansey, Robert Emmett
1897-1951Director, guionista, productor y, en ocasiones, compositor y montador de sus peliculas, el antiguo actor Robert Emmett Tansey, de familia vinculada al medio artistico, rodo a lo largo de su vida casi cincuenta westerns, la practica totalidad de su filmografia, con los nombres de Robert Tansey, Robert Emmett, Criag Hutchison, o con su nombre completo. No es un realizador distinguido, tiene poco que ofrecer como creador de universos peculiares, y se limita a una labor rutinaria de plasmacion de historias, las mas de las veces banales, interpretadas por estrellas del western de primer o segundo orden. Como actor, debuto en 1911, pero, a diferencia de su hermano, sus atractivos en la pantalla fueron escasos debido a que era cuatro anos mayor, lo que le convertia, en un actor adolescente y no en un actor infantil.Romance of the West (co-d.: John Tansey). 1930. 55 minutos. Blanco y Negro. Capitol. Jack Perrin, Edna Marion, Tom London, Ben Corbett.Riders of the Rio. 1931. 55 minutos. Blanco y Negro. Round-Up Pictures. Lane Chandler, Karla Cowan, Sheldon Lewis.The Galloping Kid. 1932. 55 minutos. Blanco y Negro. Imperial. Al Lane (Robert Emmett Tansey), Karla Cowan, Fred Parker.The Way of the West. 1934. 55 minutos. Blanco y Negro. Empire. Wally Wales, Bobby Nelson, Myrla Bratton.Courage of the North. 1935. 54 minutos. Blanco y Negro. Stage and Screen. John Preston, Tom London, June Love.Timber Terrors. 1935. 59 minutos. Blanco y Negro. Stage and Screen. John Preston, Tom London, Myrla Bratton.Dynamite Canyon. 1941. 58 minutos. Blanco y Negro. Monogram. Tom Keene, Slim Andrews, Sugar Dawn, Evelyn Finley.The Driftin’ Kid. 1941. 57 minutos. Blanco y Negro. Monogram. Tom Keene, Frank Yaconelli, Betty Miles.Riding the Sunset Trail. 1941. 56 minutos. Blanco y Negro. Monogram. Tom Keene, Frank Yaconelli, Betty Miles.Lone Star Law Men. 1941. 61 minutos. Blanco y Negro. Monogram. Tom Keene, Frank Yaconelli, Betty Miles.Western Mail. 1942. 54 minutos. Blanco y Negro. Monogram. Tom Keene, Frank Yaconelli, Jean Trent.Arizona Roundup. 1942. 56 minutos. Blanco y Negro. Monogram. Tom Keene, Frank Yaconelli, Sugar Dawn.Where Trails End. 1942. 58 minutos. Blanco y Negro. Monogram. Tom Keene, Frank Yaconelli, Joan Curtis.Texas to Bataan. 1942. 56 minutos. Blanco y Negro. Monogram. John King, David Sharpe, Max Terhune, Marjorie Manners.Trail Riders. 1942. 55 minutos. Blanco y Negro. Monogram. John King, David Sharpe, Max Terhune, Evelyn Finley.Two Fisted Justice. 1943. 61 minutos. Blanco y Negro. Monogram. John King, David Sharpe, Max Terhune, Gwen Gaze.Haunted Ranch. 1943. 57 minutos. Blanco y Negro. Monogram. John King, David Sharpe, Max Terhune, Julie Duncan.Blazing Guns. 1943. 55 minutos. Blanco y Negro. Monogram. Ken Maynard, Hoot Gibson, Kay Forrester.Death Valley Rangers. 1943. 59 minutos. Blanco y Negro. Monogram. Ken Maynard, Hoot Gibson, Bob Steele, Linda Brent.Westward Bound. 1944. 59 minutos. Blanco y Negro. Monogram. Ken Maynard, Hoot Gibson, Bob Steele, Betty Miles.Arizona Whirlwind. 1944. 59 minutos. Blanco y Negro. Monogram. Ken Maynard, Hoot Gibson, Bob Steele, Myrna Dell.Outlaw Trail. 1944. 53 minutos. Blanco y Negro. Monogram. Hoot Gibson, Bob Steele, Cy Kendall, Jennifer Holt.Sonora Stagecoach. 1944. 61 minutos. Blanco y Negro. Monogram. Hoot Gibson, Bob Steele, Betty Miles.Harmony Trail/White Stallion. 1944 (1947). Mattox (Astor). Ken Maynard, Eddie Dean, Ruth Roman, Max Terhune.Wildfire. 1945. 57 minutos. Cinecolor. Screen Guild. Bob Steele, Sterling Holloway, Virginia Maples.Song of Old Wyoming. 1945. 65 minutos. Cinecolor. PRC. Eddie Dean, Lash LaRue, Jennifer Holt, Sarah Padden.Romance of the West. 1946. 58 minutos. Cinecolor. PRC. Eddie Dean, Joan Barton, Emmett Lynn.God’s Country. 1946. 64 minutos. Cinecolor. Screen Guild. Robert Lowery, Buster Keaton, Helen Gilbert.The Caravan Trail. 1946. 57 minutos. Cinecolor. PRC. Eddie Dean, Emmett Lynn, Jean Carlin, Lash LaRue.Colorado Serenade. 1946. 70 minutos. Cinecolor. PRC. Eddie Dean, Roscoe Ates, Mary Kenyon.Driftin’ River. 1946. 59 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Shirley Patterson.The Tumbleweed Trail. 1946. 57 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Shirley Patterson.Stars Over Texas. 1946. 57 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Shirley Patterson.Wild West. 1946. 73 minutos. Cinecolor. PRC. Eddie Dean, Roscoe Ates, Sarah Padden, Lash LaRue.The Fighting Stallion. 1950. 63 minutos. Cinecolor. Eagle Lion. Bill Edwards, Forrest Taylor, Doris Merrick.Cattle Queen. 1951. 69 minutos. Blanco y Negro. Jack Schwarz (UA). Maria Hart, Drake Smith, William Fawcett.Badman’s Gold. 1951. 56 minutos. Blanco y Negro. Eagle Lion. Johnny Carpenter, Emmett Lynn, Alyn Lockwood, Troy Tarrell.Adventures of the Texas Kid. 1954. 60 minutos. Color. Timeless. Hugh Hooker, John Laurentz, Pamela Blake.English-Spanish dictionary of western films > Tansey, Robert Emmett
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4 Bradbury, Robert North
1886-1949El prolifico Bradbury consiguio notoriedad mucho tiempo despues de realizar sus peliculas, cuando se recordo que el era, en lo esencial, el director de la famosa serie “Lone Star”, protagonizada por la futura estrella John Wayne. Ademas de eso, dirigio profusamente a su propio hijo, Bob Steele, uno de los grandes interpretes del western modesto y seriado de los anos 30. Por lo demas, sus argumentos son sencillos, con la intriga y la emocion justas, y una direccion, por lo general, rutinaria.Dugan of the Badlands. 1931. 66 minutos. Blanco y Negro. Monogram. Bill Cody, Blanche Mehaffey, Andy Shuford.Son of the Plains. 1931. 59 minutos. Blanco y Negro. Syndicate. Bob Custer, Doris Philips.Law of the West (La ley del mas fuerte). 1932. 58 minutos. Blanco y Negro. World Wide. Bob Steele, Nancy Drexel.Riders of the Desert (Jinetes del desierto). 1932. 59 minutos. Blanco y Negro. World Wide. Bob Steele, Gertrude Messinger.Man from Hell’s Edges (El lobo). 1932. 61 minutos. Blanco y Negro. World Wide. Bob Steele, Nancy Drexel.Son of Oklahoma (Oro en el desierto). 1932. 55 minutos. Blanco y Negro. World Wide. Bob Steele, Carmen LaRoux.Hidden Valley. 1932. 60 minutos. Blanco y Negro. Monogram. Bob Steele, Gertrude Messinger.Texas Buddies (Venganza tejana). 1932. 59 minutos. Blanco y Negro. World Wide. Bob Steele, Nancy Drexel.Breed of the Border. 1933. 60 minutos. Blanco y Negro. Monogram. Bob Steele, Marion Byron.The Gallant Fool. 1933. 60 minutos. Blanco y Negro. Monogram. Bob Steele, Arletta Duncan.Galloping Romeo. 1933. 60 minutos. Blanco y Negro. Monogram. Bob Steele, Doris Hill.Ranger’s Code. 1933. 59 minutos. Blanco y Negro. Monogram. Bob Steele, Doris Hill.Riders of Destiny (Raza de domadores/Jinetes del destino). 1933. 58 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Cecilia Parker.The Lucky Texan. 1934. 56 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Barbara Sheldon.West of the Divide. 1934. 54 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Virginia Brown Faire.Blue Steel. 1934. 54 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Eleanor Hunt.The Man from Utah. 1934. 55 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Polly Ann Young.The Star Packer (El vengador legal). 1934. 60 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Verna Hillie.The Trail Beyond. 1934. 55 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Verna Hillie.The Lawless Frontier. 1934. 59 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Sheila Terry.Big Calibre (Balas vengadoras). 1935. 58 minutos. Blanco y Negro. Supreme. Bob Steele, Peggy Campbell.Western Justice. 1935. 56 minutos. Blanco y Negro. Supreme. Bob Steele, Renee Borden.Kid Courageous (El camino de la muerte/El deporte salvador). 1934. 62 min. Blanco y Negro. Supreme. Bob Steele, Renee Borden, Arthur Loft.No Man’s Range. 1935. 56 minutos. Blanco y Negro. Supreme. Bob Steele, Roberta Gale.Texas Terror. 1935. 58 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Lucille Browne.Rainbow Valley. 1935. 52 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Lucille Browne.Smokey Smith (Alias Humareda). 1935. 57 minutos. Blanco y Negro. Supreme. Bob Steele, Mary Kornman.Tombstone Terror. 1935. 58 minutos. Blanco y Negro. Supreme. Bob Steele, Kay McCoy.The Dawn Rider. 1935. 56 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Marion Burns.Westward Ho. 1935. 60 minutos. Blanco y Negro. Republic. John Wayne, Sheila Mannors.Rider of the Law (El paladin de la ley). 1935. 59 minutos. Blanco y Negro. Supreme. Bob Steele, Gertrude Messinger.Between Men. 1935. 60 minutos. Blanco y Negro. Supreme. Johnny Mack Brown, Beth Marion.Lawless Range. 1935. 59 minutos. Blanco y Negro. Republic. John Wayne, Sheila Mannors.Alias John Law. 1935. 59 minutos. Blanco y Negro. Supreme. Bob Steele, Roberta Gale.Courageous Avenger. 1935. 58 minutos. Blanco y Negro. Supreme. Johnny Mack Brown, Helen Erickson.Trail of Terror (Huellas de terror). 1935. 54 minutos. Blanco y Negro. Supreme. Bob Steele, Beth Marion.Valley of the Lawless (El valle siniestro). 1936. 56 minutos. Blanco y Negro. Supreme. Johnny Mack Brown, Joyce Compton.The Kid Ranger. 1936. 57 minutos. Blanco y Negro. Supreme. Bob Steele, Joan Barclay.Sundown Saunders. 1936. 59 minutos. Blanco y Negro. Supreme. Bob Steele, Catherine Cotter (Marie Burton).Last of the Warrens. 1936. 60 minutos. Blanco y Negro. Supreme. Bob Steele, Margaret Marquis, Charles King.The Law Rides. 1936. 57 minutos. Blanco y Negro. Supreme. Bob Steele, Harley Wood, Charles King.Brand of the Outlaws. 1936. 60 minutos. Blanco y Negro. Supreme. Bob Steele, Margaret Marquis.Cavalry. 1936. 63 minutos. Blanco y Negro. Republic. Bob Steele, Frances Grant.Headin’ for the Rio Grande. 1936. 60 minutos. Blanco y Negro. Grand National. Tex Ritter, Eleanor Stewart.The Gun Ranger. 1937. 56 minutos. Blanco y Negro. Republic. Bob Steele, Eleanor Stewart.Trouble in Texas (El heroe de Texas). 1937. 53 minutos. Blanco y Negro. Grand National. Tex Ritter, Rita Hayworth.Hittin’ the Trail. 1937. 58 minutos. Blanco y Negro. Grand National. Tex Ritter, Jerry Bergh.The Trusted Outlaw. 1937. 57 minutos. Blanco y Negro. Republic. Bob Steele, Lois January.Sing, Cowboy, Sing. 1937. 59 minutos. Blanco y Negro. Grand National. Tex Ritter, Louise Stanley.Riders of the Rockies. 1937. 56 minutos. Blanco y Negro. Grand National. Tex Ritter, Louise Stanley.Riders of the Dawn. 1937. 55 minutos. Blanco y Negro. Monogram. Jack Randall, Peggy Keyes.God’s Country and the Man. 1937. 56 minutos. Blanco y Negro. Monogram. Tom Keene, Betty Compton.Stars Over Arizona. 1937. 62 minutos. Blanco y Negro. Monogram. Jack Randall, Kathleen Elliott.Where Trails Divide. 1937. 60 minutos. Blanco y Negro. Monogram. Tom Keene, Eleanor Stewart.Danger Valley. 1937. 58 minutos. Blanco y Negro. Monogram. Jack Randall, Lois Wilde, Charles King.Romance of the Rockies. 1937. 53 minutos. Blanco y Negro. Monogram. Tom Keene, Beryl Wallace, Bill Cody, Jr.Forbidden Trails. 1941. 54 minutos. Blanco y Negro. Monogram. Buck Jones, Tim McCoy, Christine McIntyre, Raymond Hatton.English-Spanish dictionary of western films > Bradbury, Robert North
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5 Stevenson, Robert
1905-1986Britanico, educado en la Universidad de Cambridge, es conocido internacionalmente por ser el director de Mary Poppins (1964). En su pais natal, y en su primera etapa como realizador cinematografico, dirigio una primera version del clasico de la literatura de aventuras Las minas del rey Salomon (King Solo - mon’s Mines, 1937). Ya en Hollywood dirige la que podemos considerar su obra maestra, Alma rebelde (Jane Eyre, 1944), aunque no se sabe en que medida el acierto se debe a la presencia en la pelicula, como actor, de Orson Welles. Despues de una decada, la de los 50, en la que la television le tuvo muy atareado, termino su carrera, en los 60 y los 70, dirigiendo comedias banales para Walt Disney.Old Yeller (Fiel amigo). 1957. 83 minutos. Technicolor. Walt Disney. Doro thy McGuire, Fess Parker, Chuck Connors, Tommy Kirk.English-Spanish dictionary of western films > Stevenson, Robert
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6 RP
1) Общая лексика: reference period, reports procedure, пигментный ретинит2) Компьютерная техника: Recovery Protocol, Reverse Polish, Riff Parse3) Медицина: пигментная дегенерация сетчатки (retinitis pigmentosa)4) Американизм: Really Poor, Response Paper5) Спорт: Rinks Parents, Role Playing, Runs Prevented6) Военный термин: Radar Picket, Rapid Patch, Rapid Production, Recommended Practices, Recon Party, Rendezvous Point, Review Pane, River Patrol, Russian Prick, radar plot, radiation pressure, radiation protection, rally point, ranging point, readiness potential, rear projection, recommended practice, reconnaissance patrol, reconnaissance plan, red phosphorus, reference paper, reference pattern, reference point, refilling point, regimental police, registered publication, registration point, regulation point, relay panel, release point, remote pickup, reorder point, repair parts, repair period, replacement pilot, replenishment park, reporting post, research paper, reserve personnel, reserve purchase, resolving power, restoration priority, resupply provisions, retained person, retained personnel, retrofit package, revision proposal, rocket projectile, route package, rules of procedure7) Техника: radio polarimeter, radiological protection, reactance power, reactor pool, reactor pressure, reactor project, reception poor, regulatory position, reliability program, repeat, return on parity, return on parity positive, rust-preventive, repetitively pulsed8) Сельское хозяйство: rinderpest, rock phosphate9) Математика: относительная точность (relative precision)10) Юридический термин: Rights Protected11) Бухгалтерия: Regular Price, Risk Premium12) Фармакология: (=) reporting period (\<br\>)13) Страхование: return of premium14) Биржевой термин: соглашение о покупке ценных бумаг с выкупом по обусловленной цене (repurchase agreement), сделка РЕПО (сокр.)15) Кино: Rating Pending17) Политика: Philippines, Reform Party18) Сокращение: Civil aircraft marking (Philippines), Philippines (NATO country code), Refit Period, Reformed Presbyterian, Revolver Pistol, Rocket Pod, Rocket Propelled, Royal Society of Portrait Painters, reactor plant, received pronunciation, reply paid, reprint, retail price, rules and procedures, role player19) Университет: Research And Pathfinding, Research Path20) Физиология: Rejection Probability, Rejuvenation Patch, Retinitis Pigmentosa, Retrograde Pyelogram21) Электроника: Regulated Phase, Reverse Polarity22) Вычислительная техника: Relay Party (IRC), Rendezvous Point (PIM, Multicast)23) Нефть: reciprocation, rock pressure, программа обеспечения надёжности (reliability program), rod pump (syn. inserted pump)24) Картография: revision point25) Канадский термин: Royal Provincials26) Банковское дело: соглашение о покупке ценных бумаг с последующим выкупом по обусловленной цене (repurchase agreement)28) Деловая лексика: Remote Purchase, Research Package, соглашение о продаже и обратной покупке (repurchase agreement)29) Бурение: пластовое давление (rock pressure), расхаживание (reciprocation; колонны)30) Глоссарий компании Сахалин Энерджи: responsible party, методические рекомендации (recommended practice)31) Образование: Reading Pack, Reading Packet32) Инвестиции: repurchase agreement33) Сетевые технологии: Route Processor34) Полимеры: radial ply, reinforced plastic, rocket propellant35) Программирование: Register Pair, Rotate Programmers36) Автоматика: rapid-prototyping, rust preventative37) Контроль качества: relative precision38) Сахалин Р: Russian Party39) Сахалин А: reciprocating pump40) Химическое оружие: recirculation pump41) Расширение файла: Record Processor42) Нефть и газ: нефтебаза, резервуарный парк43) Каспий: return period44) Электротехника: reactive power, real power, relay protection45) Фантастика Red Pawn46) Имена и фамилии: Ralph Patterson, Rick Perry, Robert Parker47) Майкрософт: категория еще не присвоена48) Должность: Resignation Permitted49) НАСА: Reaction Plane, Rotating Platform -
7 Rp
1) Общая лексика: reference period, reports procedure, пигментный ретинит2) Компьютерная техника: Recovery Protocol, Reverse Polish, Riff Parse3) Медицина: пигментная дегенерация сетчатки (retinitis pigmentosa)4) Американизм: Really Poor, Response Paper5) Спорт: Rinks Parents, Role Playing, Runs Prevented6) Военный термин: Radar Picket, Rapid Patch, Rapid Production, Recommended Practices, Recon Party, Rendezvous Point, Review Pane, River Patrol, Russian Prick, radar plot, radiation pressure, radiation protection, rally point, ranging point, readiness potential, rear projection, recommended practice, reconnaissance patrol, reconnaissance plan, red phosphorus, reference paper, reference pattern, reference point, refilling point, regimental police, registered publication, registration point, regulation point, relay panel, release point, remote pickup, reorder point, repair parts, repair period, replacement pilot, replenishment park, reporting post, research paper, reserve personnel, reserve purchase, resolving power, restoration priority, resupply provisions, retained person, retained personnel, retrofit package, revision proposal, rocket projectile, route package, rules of procedure7) Техника: radio polarimeter, radiological protection, reactance power, reactor pool, reactor pressure, reactor project, reception poor, regulatory position, reliability program, repeat, return on parity, return on parity positive, rust-preventive, repetitively pulsed8) Сельское хозяйство: rinderpest, rock phosphate9) Математика: относительная точность (relative precision)10) Юридический термин: Rights Protected11) Бухгалтерия: Regular Price, Risk Premium12) Фармакология: (=) reporting period (\<br\>)13) Страхование: return of premium14) Биржевой термин: соглашение о покупке ценных бумаг с выкупом по обусловленной цене (repurchase agreement), сделка РЕПО (сокр.)15) Кино: Rating Pending17) Политика: Philippines, Reform Party18) Сокращение: Civil aircraft marking (Philippines), Philippines (NATO country code), Refit Period, Reformed Presbyterian, Revolver Pistol, Rocket Pod, Rocket Propelled, Royal Society of Portrait Painters, reactor plant, received pronunciation, reply paid, reprint, retail price, rules and procedures, role player19) Университет: Research And Pathfinding, Research Path20) Физиология: Rejection Probability, Rejuvenation Patch, Retinitis Pigmentosa, Retrograde Pyelogram21) Электроника: Regulated Phase, Reverse Polarity22) Вычислительная техника: Relay Party (IRC), Rendezvous Point (PIM, Multicast)23) Нефть: reciprocation, rock pressure, программа обеспечения надёжности (reliability program), rod pump (syn. inserted pump)24) Картография: revision point25) Канадский термин: Royal Provincials26) Банковское дело: соглашение о покупке ценных бумаг с последующим выкупом по обусловленной цене (repurchase agreement)28) Деловая лексика: Remote Purchase, Research Package, соглашение о продаже и обратной покупке (repurchase agreement)29) Бурение: пластовое давление (rock pressure), расхаживание (reciprocation; колонны)30) Глоссарий компании Сахалин Энерджи: responsible party, методические рекомендации (recommended practice)31) Образование: Reading Pack, Reading Packet32) Инвестиции: repurchase agreement33) Сетевые технологии: Route Processor34) Полимеры: radial ply, reinforced plastic, rocket propellant35) Программирование: Register Pair, Rotate Programmers36) Автоматика: rapid-prototyping, rust preventative37) Контроль качества: relative precision38) Сахалин Р: Russian Party39) Сахалин А: reciprocating pump40) Химическое оружие: recirculation pump41) Расширение файла: Record Processor42) Нефть и газ: нефтебаза, резервуарный парк43) Каспий: return period44) Электротехника: reactive power, real power, relay protection45) Фантастика Red Pawn46) Имена и фамилии: Ralph Patterson, Rick Perry, Robert Parker47) Майкрософт: категория еще не присвоена48) Должность: Resignation Permitted49) НАСА: Reaction Plane, Rotating Platform -
8 rp
1) Общая лексика: reference period, reports procedure, пигментный ретинит2) Компьютерная техника: Recovery Protocol, Reverse Polish, Riff Parse3) Медицина: пигментная дегенерация сетчатки (retinitis pigmentosa)4) Американизм: Really Poor, Response Paper5) Спорт: Rinks Parents, Role Playing, Runs Prevented6) Военный термин: Radar Picket, Rapid Patch, Rapid Production, Recommended Practices, Recon Party, Rendezvous Point, Review Pane, River Patrol, Russian Prick, radar plot, radiation pressure, radiation protection, rally point, ranging point, readiness potential, rear projection, recommended practice, reconnaissance patrol, reconnaissance plan, red phosphorus, reference paper, reference pattern, reference point, refilling point, regimental police, registered publication, registration point, regulation point, relay panel, release point, remote pickup, reorder point, repair parts, repair period, replacement pilot, replenishment park, reporting post, research paper, reserve personnel, reserve purchase, resolving power, restoration priority, resupply provisions, retained person, retained personnel, retrofit package, revision proposal, rocket projectile, route package, rules of procedure7) Техника: radio polarimeter, radiological protection, reactance power, reactor pool, reactor pressure, reactor project, reception poor, regulatory position, reliability program, repeat, return on parity, return on parity positive, rust-preventive, repetitively pulsed8) Сельское хозяйство: rinderpest, rock phosphate9) Математика: относительная точность (relative precision)10) Юридический термин: Rights Protected11) Бухгалтерия: Regular Price, Risk Premium12) Фармакология: (=) reporting period (\<br\>)13) Страхование: return of premium14) Биржевой термин: соглашение о покупке ценных бумаг с выкупом по обусловленной цене (repurchase agreement), сделка РЕПО (сокр.)15) Кино: Rating Pending17) Политика: Philippines, Reform Party18) Сокращение: Civil aircraft marking (Philippines), Philippines (NATO country code), Refit Period, Reformed Presbyterian, Revolver Pistol, Rocket Pod, Rocket Propelled, Royal Society of Portrait Painters, reactor plant, received pronunciation, reply paid, reprint, retail price, rules and procedures, role player19) Университет: Research And Pathfinding, Research Path20) Физиология: Rejection Probability, Rejuvenation Patch, Retinitis Pigmentosa, Retrograde Pyelogram21) Электроника: Regulated Phase, Reverse Polarity22) Вычислительная техника: Relay Party (IRC), Rendezvous Point (PIM, Multicast)23) Нефть: reciprocation, rock pressure, программа обеспечения надёжности (reliability program), rod pump (syn. inserted pump)24) Картография: revision point25) Канадский термин: Royal Provincials26) Банковское дело: соглашение о покупке ценных бумаг с последующим выкупом по обусловленной цене (repurchase agreement)28) Деловая лексика: Remote Purchase, Research Package, соглашение о продаже и обратной покупке (repurchase agreement)29) Бурение: пластовое давление (rock pressure), расхаживание (reciprocation; колонны)30) Глоссарий компании Сахалин Энерджи: responsible party, методические рекомендации (recommended practice)31) Образование: Reading Pack, Reading Packet32) Инвестиции: repurchase agreement33) Сетевые технологии: Route Processor34) Полимеры: radial ply, reinforced plastic, rocket propellant35) Программирование: Register Pair, Rotate Programmers36) Автоматика: rapid-prototyping, rust preventative37) Контроль качества: relative precision38) Сахалин Р: Russian Party39) Сахалин А: reciprocating pump40) Химическое оружие: recirculation pump41) Расширение файла: Record Processor42) Нефть и газ: нефтебаза, резервуарный парк43) Каспий: return period44) Электротехника: reactive power, real power, relay protection45) Фантастика Red Pawn46) Имена и фамилии: Ralph Patterson, Rick Perry, Robert Parker47) Майкрософт: категория еще не присвоена48) Должность: Resignation Permitted49) НАСА: Reaction Plane, Rotating Platform -
9 Sherman, George
1908-1991Nacido en Nueva York. Ayudante de direccion desde 1932 y director de mas de cien peliculas desde 1937, primero para Republic hasta 1944, mas tarde para Columbia hasta 1948, y despues hasta 1956 para Universal. A medida que pasaba de una productora a otra los presupuestos de sus peliculas iban siendo mas holgados, por lo que no es de extranar que su ultimo western, que es tambien su ultima pelicula, El gran Jack, sea la de presupuesto mas amplio y, dicho sea de paso, la mejor. Sherman es, sin lugar a dudas, uno de los grandes especialistas del western. Una ojeada a su filmografia hace innecesarias otras explicaciones; entre 1937 y 1943 trabaja a un ritmo frenetico para satisfacer las necesidades de algunas de las estrellas del genero, destacando, en particular, su dedicacion a la serie The Three Mes quiteers. A partir de 1946 realiza sus obras mas personales, que, sin pasar de discretas, cumplen sobradamente su cometido.Wild Horse Rodeo. 1937. 55 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Max Terhune, June Martel.The Purple Vigilantes. 1938. 58 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Max Terhune, Joan Barclay.Outlaws of Sonora. 1938. 55 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Max Terhune, Jean Joyce.Riders of the Black Hills. 1938. 55 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Max Terhune, Ann Evers.Heroes of the Hills. 1938. 56 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Max Terhune, Priscilla Lawson.Pals of the Saddle. 1938. 55 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Max Terhune, Doreen McKay.Overland Stage Raiders. 1938. 58 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Max Terhune, Louise Brooks.Rhythm of the Saddle. 1938. 58 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Peggy Moran.Santa Fe Stampede. 1938. 58 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Max Terhune, June Martel.Red River Range. 1938. 56 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Max Terhune, Polly Moran, Lorna Gray.Mexicali Rose. 1939. 58 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Luana Walters.The Night Riders. 1939. 58 minutos. Blanco y Negro. Republic. John Way ne, Ray Corrigan, Max Terhune, Doreen McKay, Ruth Rogers.Three Texas Steers. 1939. 59 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Max Terhune, Carole Landis.Wyoming Outlaw. 1939. 62 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Raymond Hatton, Adele Pearce.Colorado Sunset. 1939. 61 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, June Storey.New Frontier. 1939. 57 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Raymond Hatton, Phyllis Isley (Jennifer Jones).The Kansas Terrors. 1939. 57 minutos. Blanco y Negro. Republic. Robert Livingston, Raymond Hatton, Duncan Renaldo, Jacqueline Wells (Julie Bishop).Rovin’ Tumbleweeds. 1939. 62 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Mary Carlisle.The Cowboys from Texas. 1939. 57 minutos. Blanco y Negro. Republic. Robert Livingston, Raymond Hatton, Duncan Renaldo, Carole Landis.South of the Border. 1939. 71 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, June Storey, Lupita Tovar.Ghost Valley Raiders. 1940. 57 minutos. Blanco y Negro. Republic. Don Barry, Lona Andre, LeRoy Mason.Covered Wagon Days. 1940. 56 minutos. Blanco y Negro. Republic. Robert Livingston, Raymond Hatton, Duncan Renaldo, Kay Griffith, Ruth Robinson.Rocky Mountain Rangers. 1940. 58 minutos. Blanco y Negro. Republic. Robert Livingston, Raymond Hatton, Duncan Renaldo, Rosella Towne.One Man’s Law. 1940. 57 minutos. Blanco y Negro. Republic. Don Barry, Janet Waldo, Dub Taylor.The Tulsa Kid. 1940. 57 minutos. Blanco y Negro. Republic. Don Barry, Luana Walters, Jimmy Wakely.Under Texas Skies. 1940. 57 minutos. Blanco y Negro. Republic. Robert Livingston, Bob Steele, Rufe Davis, Lois Ranson.Frontier Vengeance (co-d.: Nate Watt). 1940. 57 minutos. Blanco y Negro. Republic. Don Barry, Betty Moran.The Trail Blazers. 1940. 58 minutos. Blanco y Negro. Republic. Robert Livingston, Bob Steele, Rufe Davis, Pauline Moore.Texas Terrors. 1940. 57 minutos. Blanco y Negro. Republic. Don Barry, Julie Duncan, Al St. John.Lone Star Raiders. 1940. 57 minutos. Blanco y Negro. Republic. Robert Livingston, Bob Steele, Rufe Davis, June Johnson, Sarah Padden.Wyoming Wildcat. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Julie Duncan, Syd Taylor.The Phantom Cowboy. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Virginia Carroll, Rex Lease.Two Gun Sheriff. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick.Desert Bandit. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick.Kansas Cyclone. 1941. 58 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick.The Apache Kid. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Al St.John.Death Valley Outlaws. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick.A Missouri Outlaw. 1941. 58 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick.Arizona Terror. 1942. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Al St.John.Stagecoach Express. 1942. 57 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Al St.John.Jesse James, Jr. 1942. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Al St. John.Cyclone Kid. 1942. 57 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Lloyd Andrews.The Sombrero Kid. 1942. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Lloyd Andrews.The West Side Kid. 1943. 58 minutos. Blanco y Negro. Republic. Don Ba rry, Dale Evans, Henry Hull.Renegades (Renegados). 1946. 88 minutos. Technicolor. Columbia. Eve lyn Keyes, Willard Parker, Larry Parks.Last of the Redmen. 1947. 77 minutos. Cinecolor. Key Pictures (Columbia). Jon Hall, Julie Bishop, Evelyn Ankers, Michael O’Shea.Relentless. 1948. 93 minutos. Technicolor. Cavalier Productions (Colum bia). Robert Young, Marguerite Chapman, Willard Parker, Akim Tamiroff.Black Bart (El enmascarado). 1948. 80 minutos. Technicolor. Universal. Yvonne De Carlo, Dan Duryea, Jeffrey Lynn.River Lady (Rio abajo). 1948. 78 minutos. Universal. Yvonne De Carlo, Dan Duryea, Rod Cameron, Helena Carter.Red Canyon (Huracan). 1949. 82 minutos. Technicolor. Universal. Ann Blyth, Howard Duff, George Brent.Calamity Jane and Sam Bass. 1949. 85 minutos. Technicolor. Universal. Yvonne De Carlo, Howard Duff, Dorothy Hart, Willard Parker.Comanche Territory (Orgullo de comanche). 1950. 76 minutos. Techni color. Universal. Maureen O’Hara, MacDonald Carey, Will Geer.Tomahawk (El piel roja). 1951. 82 minutos. Technicolor. Universal. Yvo n ne De Carlo, Van Heflin, Preston Foster, Rock Hudson.The Battle at Apache Pass. 1951. 85 minutos. Technicolor. Universal. John Lund, Jeff Chandler, Beverly Tyler, Susan Cabot.The Lone Hand. 1953. 80 minutos. Technicolor. Universal. Joel McCrea, Barbara Hale, Alex Nicol.War Arrow (Asalto al Fuerte Clark). 1954. 78 minutos. Technicolor. Uni versal. Jeff Chandler, Maureen O’Hara, John McIntire, Suzan Ball.Border River. 1954. 81 minutos. Technicolor. Universal. Joel McCrea, Yvon ne De Carlo, Pedro Armendariz.Dawn at Socorro. 1954. 80 minutos. Technicolor. Universal. Rory Calhoun, Piper Laurie, David Brian, Kathleen Hugues.Chief Crazy Horse (El gran jefe). 1955. 86 minutos. Technicolor. Cinema - Scope. Universal. Victor Mature, Suzan Ball, John Lund, Ray Danton.Count Three and Pray. 1955. 102 minutos. Technicolor. CinemaScope. Co pa Productions (Columbia). Van Heflin, Joanne Woodward, Phil Carey.The Treasure of Pancho Villa (El tesoro de Pancho Villa). 1955. 96 min. Technicolor. Superscope. RKO. Rory Calhoun, S. Winters, Gilbert Roland.Comanche (Duelo de razas). 1956. 87 minutos. Color DeLuxe. Cinema Sco pe. UA. Dana Andrews, Kent Smith, John Litel, Linda Cristal.Reprisal! 1956. 74 minutos. Technicolor. Lewis J. Rachmil (Columbia). Guy Madison, Felicia Farr, Kathryn Grant.The Hard Man. 1957. 80 minutos. Technicolor. Romson (Columbia). Guy Madison, Valerie French, Lorne Greene.The Last of the Fast Guns. 1958. 82 minutos. Eastmancolor. CinemaScope. Universal. Jock Mahoney, Eduard Franz, Gilbert Roland, Linda Cristal.Ten Days to Tulara. 1958. 77 minutos. Blanco y Negro. UA. Sterling Hay den, Grace Raynor.Hell Bent for Leather. 1960. 82 minutos. Eastmancolor. Panavision. Uni versal. Audie Murphy, Stephen McNally, Felicia Farr.For the Love of Mike. 1960. 87 minutos. Color DeLuxe. CinemaScope. Fox. Richard Basehart, Stuart Edwin, Elsa Cardenas.Joaquin Murrieta. 1965. 108 minutos. Eastmancolor. Pro-Artis Iberica. Jeffrey Hunter, Arthur Kennedy, Sara Lezana, Diana Lorys.Smoky. 1966. 103 minutos. Color DeLuxe. Fox. Fess Parker, Katy Jurado, Diana Hyland.Big Jake (El gran Jack). 1971. 110 minutos. Technicolor. Panavision. Natio nal General. John Wayne, Richard Boone, Maureen O’Hara.English-Spanish dictionary of western films > Sherman, George
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10 CULTURE, LITERATURE, AND LANGUAGE
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Metuchen, N.J.: Scarecrow Press, 1994.■ Longland, Jean. Contemporary Portuguese Poetry. A Bilingual Selection. Irvington-on-Hudson: Harvey House, 1966. Prado Coelho, Jacinto do. Dicionário das Literaturas Portuguesas, Galega e Brasileira, 3rd ed. Oporto, 1978. Rossi, Giuseppe C. Storia della letteratura portoghesa. Florence, 1953.■ Santos, João Camilo dos. "Portuguese Contemporary Literature." In Antônio Costa Pinto, ed., Modern Portugal, 218-42. Palo Alto, Calif.: SPOSS, 1998.■ Saraiva, Antônio José. História da cultura em Portugal, 3 vols. Lisbon, 1950-60.■. História da Literatura Portuguesa. Lisbon, 1990 ed.■, and Oscar Lopes. História da Literatura Portuguesa. Oporto and Coimbra, 1992 ed.■ Seguier, Jaime de, ed. Dicionário Prático Ilustrado. Oporto: Lello, 1961 and later eds.■ Simões, João Gaspar. História da poesia portuguesa, 2 vols. Lisbon, 1955-56 and later eds.■. História da poesia portuguesa do século XX. Lisbon, 1959 and later eds.■ Stern, Irwin, ed.-in-chief. Dictionary of Brazilian Literature. Westport, Conn.: Greenwood, 1988.■ TRAVEL AND TOURIST GUIDES ON PORTUGAL■ Ballard, Sam, and Jane Ballard. Pousadas of Portugal: Unique Lodgings in State-owned Castles, Palaces, Mansions and Hotels. Boston: Harvard Common, 1986.■ Bridge, Ann, and Susan Lowndes Marques. The Selective Traveller in Portugal. London: Chatto & Windus, 1968.■ Ellingham, Mark, et al. Portugal: The Rough Guide. London: Rough Guides, 2008 ed.■ Hogg, Anthony. Travellers' Portugal. London: Solo Mio, 1983.■ Kite, Cynthia, and Ralph Kite. Portuguese Country Inns & Pousadas. New York: Warner Books; Karen Brown's Country Inn Series, 1988.■ Lowndes, Susan, ed. Fodor's Portugal 1991. New York: Fodor's, 1990.■ Proença Raúl, and Sant'anna Dionísio, eds. Guía De Portugal. I. Generalidades. Lisboa E, Arredores. Lisbon: Fundação Calouste Gulbenkian, 1924; 1983.■ Robertson, Ian. Portugal: Blue Guide. London: Benn; New York: Norton, 2000 and later eds.■ Stoop, Anne de. Living in Portugal. 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Os descobrimentos e a problemática cultural do Século XVI, 2nd ed. Lisbon, 1982.■ Disney, Anthony, and Emily Booth, eds. Vasco Da Gama and the Linking of Europe and Asia. New Delhi: Oxford University Press, 2000.■ Godinho, Vitorino Magalhães, ed. Documentos sobre a expansão portuguesa [ to 1460], 3 vols. Lisbon, 1945-54.■ Guedes, Max, and Gerald Lombardi, eds. Portugal. Brazil: The Age of Atlantic Discoveries. Lisbon: Bertrand; Milan: Ricci; Brazilian Culture Foundation, 1990. [Catalogue of New York Public Library Exhibit, Summer 1990]■ Harley, J. B., and David Woodward. The History of Cartography. Volume 1: Cartography in Prehistoric, Ancient and Medieval Europe and Mediterranean. Chicago: University of Chicago Press, 1987.■ Leite, Duarte. História dos Descobrimentos: Colectânea de esparsos, 2 vols. Lisbon, 1958-61.■ Ley, Charles. Portuguese Voyages, 1498-1663. London: Dent, 1953.■ Marques, J. Martins da Silva. Descobrimentos portugueses, 2 vols. Lisbon, 1944-71.■ Martyn, John R. C., ed. Pedro Nunes ( 1502-1578): His Lost Algebra and Other Discoveries. John R. C. Martyn, trans. New York: Peter Lang, 1996.■ Morison, Samuel Eliot. The European Discovery of America: The Northern Voyages, A. D. 500-1600. New York: Oxford University Press, 1971.■. Portuguese Voyages to America in the Fifteenth Century. Cambridge: Harvard University Press, 1974.■ Mota, Avelino Teixeira da. Mar, Além-Mar-Estudos e Ensaios de História e Geografia. Lisbon, 1972.■ Nemésio, Vitorino. Vida e Obra do Infante D. Henrique. Lisbon, 1959.■ Parry, J. H. The Discovery of the Sea. New York: Dial, 1974.■ Penrose, Boies. Travel and Discovery in the Renaissance, 1420-1620. Cambridge, Mass.: Harvard University Press, 1952.■ Peres, Damião. História dos Descobrimentos Portugueses. Oporto, 1943.■ Prestage, Edgar. The Portuguese Pioneers. London, 1933; New York: Barnes & Noble, 1967.■ Rogers, Francis M. Precision Astrolabe: Portuguese Navigators and Transoceanic Aviation. Lisbon, 1971.■ Seary, E. R. 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Picchio, Luciana Stegagno. Storia del Teatro Portoghese. Rome: Edizinio deli' Ateneo, 1964.■ Queirós, José. Cerâmica Portuguesa, 2 vols. 2nd rev. ed. Lisbon, 1948.■ Santos, Luís Reis. Monuments of Portugal. Lisbon, 1940.■ Santos, Reinaldo dos. A Escultura em Portugal, 2 vols. Lisbon, 1948-50.■. História da Arte em Portugal. Oporto, 1953.■ Sasportes, José. História da Dança em Portugal. Lisbon, 1970. Simões, J. M. dos Santos. "Azulejos in a Land of Many Colours." Connoisseur (London) CXXXVII, 551 (1956): 15-21.■. Azulejaria em Portugal no Século X VIII. Lisbon, 1979.■ Smith, Robert C. A Talha em Portugal. Lisbon, 1963.■. The Art of Portugal, 1500-1800. London, Weidenfeld and Nicolson, 1968.■. "The Building of Mafra." Apollo 97, 134 (April 1973): 360-67.■ Stoop, Anne de. Demeures portugaises dans les environs de Lisbonne. Paris: Weber, 1986.■. Palais et manoirs: Le Minho. Paris: Ed. du Seuil, 1995.■ Tannock, Michael. Portuguese 20th Century Artists: A Biographical Dictionary. 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Brother Luiz de Sousa [play]. Edgar Prestage, trans. London: Elkin Mathess, 1909.■. Travels in My Homeland. John M. Parker, trans. London: Peter Owen and UNESCO, 1987. Griffin, Jonathan. Camões: Some Poems Translated from the Portuguese by Jonathan Griffin. London: Menard Press, 1976. Jorge, Lídia. The Murmuring Coast. Minneapolis: University of Minnesota Press, 1995.■ Lisboa, Eugénio, ed. Portuguese Short Fiction. Manchester, U.K.: Carcanet, 1997.■ Lopes, Fernão. The English in Portugal 1367-87: Extracts from the Chronicles of Dom Fernando and Dom João. Derek W. Lomax and R. J. Oakley, eds. and trans. Warminster, U.K.: Aris & Phillips, 1988.■ Macedo, Helder, ed. Contemporary Portuguese Poetry: An Anthology in English. Helder Macedo, et al., trans. Manchester, U.K.: Carcanet New Press, 1978.■ Martins, J. P. De Oliveira. A History of Iberian Civilization. Aubrey F. G. Bell, trans.; preface by Salvador de Madariaga. New York: Cooper Square, 1969.■ Mendes Pinto, Fernão. The Travels of Mendes Pinto [Orig. title: Peregrinação].■ Rebecca D. Catz, trans., with introduction and notes. Chicago: University of Chicago Press, 1989. Miguéis, José Rodrigues. A Man Smiles at Death with Half a Face. George■ Monteiro, trans. Hanover, N.H.: University Press of New England, 1991.■. Happy Easter. John Byrne, trans. Manchester, U.K.: Carcanet, 1995.■. Steerage and Ten Other Stories. George Monteiro, ed. Providence, R.I.: Gávea-Brown, 1998. Monteiro, Luís De Sttau. The Rules of the Game. Ann Stevens, trans. London: Hamilton, 1965.■ Mourão-Ferreira, David. Lucky in Love. Christine Robinson, trans. Manchester, U.K.: Carcanet, 1999. Namora, Fernando. Field of Fate. Dorothy Ball, trans. London: Macmillan, 1970.■. Mountain Doctor. Dorothy Ball, trans. London: Macmillan, 1956.■ Nemésio, Vitorino. Inclement Weather over the Channel. Francisco Cota Fagundes, trans. Providence, R.I.: Gávea-Brown, 1993.■. Stormy Isles: An Azorean Tale. Francisco C. Fagundes, trans. 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New York: Harcourt, 2000.■. Journey to Portugal. New York: Harcourt Brace, 2001.■ Sena, Jorge de. The Poetry of Jorge de Sena: A Bilingual Selection. Frederick G. Williams et al., trans. Santa Barbara, Calif.: Mudborn Press, 1980.■. By the Rivers of Babylon and Other Stories. New Brunswick, N.J.: Rutgers University Press, 1989.■ Vicente, Gil. Four Plays of Gil Vicente: Edited from the Editio Princeps ( 1562). Aubrey F. G. Bell, ed. and trans. Cambridge: Cambridge University Press, 1920.■. Lyrics of Gil Vicente. Aubrey F. G. Bell, trans. Oxford: Oxford University Press, Hispanic Notes and Monographs, Portuguese Series 1, 1921.■. The Play of Rubena. Jack E. Tomlins, trans.; Rene P. Garay and José I. Suarez, eds. New York: National Hispanic Foundation for Humanities, 1993.■. The Boat Plays. David Johnston, trans. and adaptation. London: Oberon, 1996.■. Three Discovery Plays. Anthony Lappin, trans. Warminster, U.K.: Aris & Phillips, 1997.■ Vieira, António. Dust Thou Art. Rev. W. Anderson, trans. London, 1882.■ Portuguese and Portuguese-American Cooking: Cuisine■ Anderson, Jean. Food of Portugal. New York: Hearst, 1994. Asselin, E. Donald. A Portuguese-American Cookbook. Rutland, Vt.: Charles E. Tuttle, 1966.■ Bourne, Ursula. Portuguese Cookery. Harmondsworth, U.K.: Penguin, 1973. Crato, Maria Helena Tavares. Cozinha Portuguesa I, II. Lisbon: Editorial Presença, 1978.■ Dienhart, Miriam, and Anne Emerson, ed. Cooking in Portugal. Cascais: American Women of Lisbon, 1978.■ Feibleman, Peter S. The Cooking of Spain and Portugal. New York: Time-Life Books; Foods of the World, 1969.■ Koehler, Margaret H. Recipes from the Portuguese of Provincetown. Riverside, Conn.: Chatham Press, 1973. Manjny, Maite. The Home Book of Portuguese Cookery. London: Faber & Faber, 1974.■ Marques, Susan Lowndes. Good Food from Spain and Portugal. London: Muller, 1956.■ Modesto, Maria de Lourdes. Cozinha Tradicional Portuguesa. Lisbon: Verbo, 1982.■ Ortiz, Elisabeth Lambert. The Food of Spain and Portugal. The Complete Iberian Cuisine. New York: Atheneum, 1989. Pinto, Elvira. La Bonne Cuisine Portugaise. Paris: Edicions Garanciere, 1985.■ Robertson, Carol. Portuguese Cooking: The Authentic and Robust Cuisine of Portugal. Berkeley Calif.: North Atlantic, 1993. Schmaeling, Tony. The Cooking of Spain and Portugal. Ware, U.K.: Omega, 1983.■ Vieira, Édite. The Taste of Portugal. London: Robinson, 1989.■ Von Treskow, Maria. Zü Gast in Portugal: Eine Kulnarische Reise in Garten Europas. Weingarten: Kunstverlag, 1989. Wright, Carol. Portuguese Food. London: Dent, 1969.■. Self-catering in Portugal: Making the Most of Local Food and Drink. London: Croom Helm, 1986.■ Afonso, Simonetta Luz, and Angela Delaforce. Palace of Queluz— The Gardens. Lisbon, 1989.■ Araújo, Iluídio Alves de. Arte Paisagista e Arte das Jardins em Portugal. Lisbon, 1962.■ Azeredo, Francisco de. Casas Senhoriais Portuguesas. Barcelos, 1986.■ Binney, Marcus. Country Manors of Portugal. New York: Scala Books, 1987.■ Bowe, Patrick, and Nicolas Sapieha. Gardens of Portugal. New York: Scala Books and Harper and Row, 1989.■ Cane, Florence du. The Flowers and Gardens of Madeira. London, 1924.■ Cardoso, Pedro Homem, and Helder Carita. Da Grandeza das Jardins em Portugal. Lisbon, 1987.■ Carita, Helder, and Homem Cardoso. Portuguese Gardens. London: Antique Collector's Club, 1987.■ Costa, António da, and Luís de O. Franquinho. Madeira: Plantas e Floras. Funchal, 1986.■ Nichols, Rose Standish. Spanish and Portuguese Gardens. Boston, 1926.■ Pereira, Arthur D. Sintra and Its Farm Manors. Sintra, 1983.■ Sampaio, Gonçalo. Flora Portuguesa. Lisbon, 1946.■ Sitwell, Sacheverell. Portugal and Madeira. London: Batsford, 1945.■ Underwood, John, and Pat Underwood. Landscapes of Madeira. London, 1980.■ Vieira, Rui. Flowers of Madeira. Funchal, 1973.■ Viterbo, Francisco Marques de Sousa. A Jardinagem em Portugal, 2 vols. Coimbra, 1906-9.■ Education, Science, Health, and Medical History■ Albuquerque, Luís de. Estudos de História, 3 vols. Coimbra, 1973-81.■. Ciência e experiência nos Descobrimentos portugueses. Lisbon, 1983.■. Para a História de Ciência em Portugal. Lisbon, 1983.■. As Navegaçoes E A Sua Projecção Na Ciência E Na Cultura. Lisbon, 1987.■ Baião, Antônio. Episódios Dramáticos da Inquisição Portuguesa, 3 vols. Lisbon, 1936-55.■ Cabreira, Antônio. Portugal nos mares e nas ciências. Lisbon, 1929. Carvalho, Rômulo de. A Astronomia em Portugal (séc. xviii). Lisbon, 1985. Fernandes, Barahona. Egas Moniz: Pioneiro de descobrimentos médicos. Lisbon, 1983.■ Gaitonde, P. D. Portuguese Pioneers in India: Spotlight on Medicine. London: Sangam Books, 1983.■ Hanson, Carl A. "Portuguese Cosmology in the Late Seventeenth Century." In Benjamin F. Taggie and Richard W. Clement, eds., Iberia & the Mediterranean, 75-85. Warrensburg: Central Missouri State University, 1989.■ Higgins, Michael H., and Charles F. S. de Winton. Survey of Education in Portugal. London, 1942.■ Hirsch, Elizabeth Feist. Damião de Góis: The Life and Thought of a Portuguese Humanist. The Hague, 1967.■ Lemos, Maximiano. Arquivos de História da Medicina Portuguesa. Several vols. Lisbon, 1886-1923. Vol. I. História da Medicina em Portugal. Doutrina e Instituições. Lisbon, 1899.■ Mira, Matias Ferreira de. História da Medicina Portuguesa. Lisbon, 1948.■ Orta, Garcia de. Colóquios dos Simples e Drogas e Cousas Medicinais da India. Conde de Ficalho, ed., 2 vols. Lisbon, 1891-95.■ Osório, J. Pereira. História e Desenvolvimento da Ciência em Portugal, 2 vols. Lisbon, 1986-89.■ Pina, Luís de. "Uma prioridade portuguesa do século XVI. João de Barros e a Dactiloscópia Oriental." Arquivo da Repartição de Antropologia Criminal IV (1936).■. "As Ciências na História do Império Colonial Português — Séculos XV a XIX." Anais de Faculdade de Ciências do Porto ( 1939-10).■. "Os Portugueses Mestres de Ciência e Metras no Estrangeiro." Actas do Congresso do Mundo Português. Lisbon, 1940.■. "A Ciência em Portugal (bosquejo Histórico)." In Secretariado Nacional da Informação, ed., Portugal: Breviário Da Pátria Para Os Portugueses Ausentes, 277-301. Lisbon, 1946.■ Richards, Robert A. C., ed. Guide to World Science: Vol. 9: Spain and Portugal, 2nd ed. Guernsey, U.K.: F. H. Books, 1974.■ Saraiva, António José. História da Cultura em Portugal, 3 vols. Lisbon, 1950-62.■ ———. "João de Barros." In Serrao, ed., Dicionário de História de Portugal 1 (1963): 307-8.■ Silvestre Ribeiro, José. História dos Establecimentos Scientíficos, Literários e Artísticos de Portugal nos Successivos Reinados da Monarchia, 3 vols. Lisbon, 1871-83.■ Veiga-Pires, J. A., and Ronald G. Grainger, eds. Pioneers in Angiography: The Portuguese School ofAngiography. Lancaster, U.K.: MTP Press, 1982.■ Walker, Timothy. "Doctors, Folk Medicine and the Inquisition: The Repression of Popular Healing in Portugal during the Enlightenment Era." Ph.D. dissertation, History Department, Boston University, 2001.■ Barbosa, Madelena. "Women in Portugal." Women's Studies International Quarterly 4 (1981): 477-80.■ Barreno, Maria Isabel, Maria Teresa Horta, and Maria Velho da Costa. Novas Cartas Portuguesas. Lisbon, 1972.■ ———. The Three Marias. New Portuguese Letters. Helen R. Lane, trans. New York: Doubleday, 1975.■ Brettell, Caroline B. We Have Already Cried Many Tears: The Stories of Three Portuguese Migrant Women. Cambridge, Mass.: Schenkman, 1982.■ Ferreira, Virginia. "Engendering Portugal: Social Change, State Politics, and Women's Social Mobilization." In António Costa Pinto, ed., Modern Portugal, 162-88. Palo Alto, Calif.: SPOSS, 1998.■ Goodwin, Mary. "Portuguese Feminism." Portuguese Studies Newsletter 17 (Spring-Summer 1987): 12-13.■ Lamas, Maria. As Mulheres do Meu País. Lisbon, 1948.■ "Mulheres Portuguesas e Feminismo." Análise Social [special number on Portuguese Women and Feminism] 22 (1986): 92-93.■ Osório, Ana de Castro. As Mulheres Portuguesas. Lisbon, 1905.■ Sadlier, Darlene J. The Question of How: Women Writers and New Portuguese Literature. Westport, Conn.: Greenwood; Contributions in Women's Studies, no. 109, 1989.■ Silva, Manuela. The Employment of Women in Portugal. Luxembourg: Office for Official Publications, European Communities, 1984. Velho da Costa, Maria. Maina Mendes. Lisbon, 1974.■ Vicente, Ana, and Maria Reynolds de Souza. Family Planning in Portugal. Lisbon, 1984.■ Almeida, Fortunato de. História da Igreja em Portugal. 6 vols. Coimbra, 1910-24, and Oporto, 1967-72. Alonso, Joaquim Maria. The Secret of Fátima: Fact and Legend. Cambridge, Mass.: Ravengate Press, 1979. Alves, José da Felicidade, ed. Católicos e política de Humberto Delgado à Marcelo Caetano. Lisbon, 1969. Araújo, Miguel de, ed. Dicionario político; 1; Os Bispos e a revoluçao de Abril. Lisbon, 1976. Bishko, Charles Julian. Spanish and Portuguese Monastic History 600-1300. London, Variorum Reprints, 1984.■ Blanshard, Paul. Freedom and Catholic Power in Spain and Portugal. Boston: Beacon Press, 1962.■ Boxer, C. R. The Church Militant and Iberian Expansion 1440-1770. Baltimore, Md.: Johns Hopkins University Press, 1978. Bruneau, Thomas C. "Church and State in Portugal: Crises of Cross and Sword." Journal of Church and State XVIII (1976): 463-90. Freire, José Geraldes. Resistência Católico ao Salazarismo-Marcelismo. Oporto, 1976.■ Herculano, Alexandre. History of the Origin and Establishment of the Inquisition in Portugal. John C. Banner, trans. Stanford, Calif.: Stanford University Press, 1962.■ IPOPE. Estudo sobre liberdade e religião em Portugal. Lisbon, 1973. Johnston, Francis. Fátima: The Great Sign. Chulmleigh, U.K.: Augustine Publications, 1980.■ Kondor, Fr. Louis. Fátima in Lucia's Own Words: Sister Lucia's Memoirs. Fatima: Postulation Center, 1976. Lourenço, Joaquim Maria. Situação jurídica da Igreja em Portugal. Coimbra, 1943.■ Mattoso, José. Religião e Cultura na Idade Média Portuguesa. Lisbon, 1982. Miller, Samuel J. Portugal and Rome c. 1748-1830: An Aspect of Catholic Enlightenment. Rome: Universita Gregoriana Editrice, 1978. O'Malley, John W. The First Jesuits. Cambridge, Mass.: Harvard University Press, 1993.■ Pattee, Richard. Portugal and the Portuguese World. Milwaukee, Wisc.: Bruce, 1957.■ Prestage, Edgar. Portugal: A Pioneer of Christianity. Lisbon, 1945.■ Richard, Robert. Etudes sur l'histoire morale et religieuse de Portugal. Paris: Centro Cultural de Gulbenkian, 1970.■ Robinson, Richard A. H. "The Religious Question and Catholic Revival in Portugal, 1900-1930." Journal of Contemporary History XII (1977): 345-62.■. Contemporary Portugal: A History. London: Allen & Unwin, 1979.■ Rodrigues, R. P. Francisco. História da Companhia de Jesus na Assistência de Portugal, 7 vols. Lisbon, 1931-50.■ Roth, Cecil. A History of the Marranos. Philadelphia: Jewish Publication Society of America, 1932.■ Agriculture, Viticulture, and Fishing■ Abreu-Ferreira, Darlene. "The Portuguese in Newfoundland: Documentary Evidence Examined." Portuguese Studies Review 4, 1 (1995-96): 11-33.■ Allen, H. Warner. The Wines of Portugal. London: Michael Joseph, 1963.■ Barros, Afonso de. A reforma agrária em Portugal. Oeiras, 1979.■ Beamish, Huldine V. The Hills of Alentejo. London: Geoffrey Bles, 1958.■ Bennett, Norman R. "The Golden Age of the Port Wine System, 1781-1807." The International History Review XII (1990): 221-18.■ Black, Richard. "The Myth of Subsistence: Market Production in the Small Farm Sector of Northern Portugal." Iberian Studies 1, 8 (1989): 25-41.■ Bravo, Pedro, and Duarte de Oliveira. Viticulture Moderna. Lisbon, 1974.■. Vinhas e Vinhos De Portugal. Lisbon, 1979.■ Cabral, Manuel V. "Agrarian Structures and Recent Movements in Portugal." Journal of Peasant Studies 4, 5 (July 1978): 411-45.■ Cardoso, José Carvalho. A Agricultura Portuguesa. Lisbon, 1973.■ Carvalho, Bento de. Guía Dos Vinhos Portugueses. Lisbon, 1982.■ Clarke, Robert. Open Boat Whaling in the Azores: The History and Present Methods of a Relic Industry. Cambridge: Cambridge University Press, 1954.■ Cockburn, Ernest. Port Wine and Oporto. London: Wine & Spirit, 1949. Cole, S. C. "Cod, Cod Country and Family: The Portuguese Newfoundland Fishery." Mast 3, 1 (1990): 1-29.■ Coull, James. The Fisheries of Europe. London: G. Bell & Sons, 1972.■ Croft-Cooke, Rupert. Port. London: Putnam, 1957.■. Madeira. London: Putnam, 1961.■ Delaforce, John. The Factory House at Oporto. London: Christie's Wine Publications, 1979 and later eds.■ Doel, Patricia A. Port O'Call: Memories of the Portuguese White Fleet in St. John's Newfoundland. St. John's, Newfoundland: ISER, 1992.■ Fletcher, Wyndham. Port: An Introduction to Its History and Delights. London: Bernet, 1978.■ Francis, A. D. The Wine Trade. London: Adam and Charles Black, 1972.■ Freitas, Eduardo, João Ferreira de Almeida, and Manuel Villaverde Cabral. Modalidades de penetração do capitalismo na agricultura: estruturas agrárias em Portugal Continental, 1950-1970. Lisbon, 1976.■ Gonçalves, Francisco Esteves. Portugal: A Wine Country. Lisbon, 1984.■ Gulbenkian Foundation. Agrarian Reform. Lisbon, 1981.■ Kurlansky, Mark. Cod: A Biography of the Fish That Changed the World. New York: Walker, 1997.■ Malefakis, Edward. "Two Iberian Land Reforms Compared: Spain, 1931-1936 and Portugal, 1974—1978." In Gulbenkian Foundation, Agrarian Reform. Lisbon, 1981.■ Moutinho, M. História da pesca do bacalhau. Lisbon: Imprensa Universitária, 1985.■ Oliveira Marques, A. H. de. lntrodução a história da agricultura em Portugal.■ Lisbon, 1968. Pato, Octávio. O Vinho. Lisbon, 1971.■ Pearson, Scott R. Portuguese Agriculture in Transition. Ithaca, N.Y.: Cornell University Press, 1987.■ Postgate, Raymond. Portuguese Wine. London: Dent, 1969.■ Read, Jan. The Wines of Portugal. London: Faber & Faber, 1982.■ Robertson, George. Port. London: Faber & Faber, 1982 ed.■ Rutledge, Ian. "Land Reform and the Portuguese Revolution." Journal of Peasant Studies 5, 1 (Oct. 1977): 79-97.■ Sanceau, Elaine. The British Factory at Oporto. Oporto, 1970.■ Simon, Andre L. Port. London: Constable, 1934.■ Simões, J. Os grandes trabalhadores do Mar: Reportagens na Terra Nova e na Groenlândia. Lisbon: Gazeta dos Caminho de Ferro, 1942.■ Smith, Diana. Portugal and the Challenge of 1992: Special Report. New York: Camões Center/RIIC, Columbia University, 1990.■ Stanislawski, Dan. Landscapes of Bacchus: The Vine in Portugal. Austin: University of Texas Press, 1970.■ Teixeira, Carlos, and Victor M. Pereira da Rosa, eds. The Portuguese in Canada: From the Seat to the City. Toronto: University of Toronto Press, 2000.■ Unwin, Tim. "Farmers' Perceptions of Agrarian Change in Northwest Portugal." Journal of Rural Studies 1, 4 (1985): 339-57.■ Valadão do Valle, E. Bacalhau: tradições históricas e económicos. Lisbon, 1991.■ Venables, Bernard. Baleia! The Whalers of Azores. London: Bodley Head, 1968.■ Villiers, Alan. The Quest of the Schooner Argus: A Voyage to the Banks and Greenland. New York: Scribners, 1951. World Bank. Portugal: Agricultural Survey. Washington, D.C.: World Bank, 1978.■ ECONOMY, INDUSTRY, AND DEVELOPMENT■ Aiyer, Srivain, and Shahid A. Chandry. Portugal and the E.E.C.: Employment and Implications. Lisbon, 1979.■ Baklanoff, Eric N. The Economic Transformation of Spain and Portugal. New York: Praeger, 1978.■. "Changing Systems: The Portuguese Revolution and the Public Enterprise Sector." ACES ( Association of Comparative Economic Studies) Bulletin 26 (Summer-Fall 1984): 63-76.■. "Portugal's Political Economy: Old and New." In K. Maxwell and M. Haltzel, eds., Portugal: Ancient Country, Young Democracy, 37-59. Washington, D.C.: Wilson Center Press, 1990.■ Barbosa, Manuel P. Growth, Migration and the Balance of Payments in a Small, Open Economy. New York: Garland, 1984.■ Braga de Macedo, Jorge, and Simon Serfaty, eds. Portugal since the Revolution: Economic and Political Perspectives. Boulder, Colo.: Westview, 1981.■ Carvalho, Camilo, et al. Sabotagem Econômica: " Dossier" Banco Espírito Santo e Comercial de Lisboa. Lisbon, 1975.■ Corkill, David. The Development of the Portuguese Economy: A Case of Euro-peanization. London: Routledge, 1999.■ Cravinho, João. "The Portuguese Economy: Constraints and Opportunities." In K. Maxwell, ed., Portugal in the 1980s, 111-65. Westport, Conn.: Greenwood, 1986.■ Dornsbusch, Rudiger, Richard S. Eckhaus, and Lane Taylor. "Analysis and Projection of Macroeconomic Conditions in Portugal." In L. S. Graham and H. M. Makler, eds., Contemporary Portugal, 299-330. Austin: University of Texas Press, 1979.■ The Economist (London). "On the Edge of Europe: A Survey of Portugal." (June 30, 1981): 3-27.■. "Coming Home: A Survey of Portugal." (May 28, 1988).■. 'The New Iberia: Not Quite Kissing Cousins" [Spain and Portugal]. (May 5, 1990): 21-24.■ Fundação Calouste Gulbenkian and German Marshall Fund of the U.S., eds. II Conferência Internacional sobre e Economia Portuguesa, 2 vols. Lisbon, 1979.■ Hudson, Mark. Portugal to 1993: Investing in a European Future. London: The Economist Intelligence Unit/Special Report No. 11 57/EIU Economic Prospects Series, 1989.■ International Labour Office (ILO). Employment and Basic Needs in Portugal. Geneva: ILO, 1979.■ Kavalsky, Basil, and Surendra Agarwal. Portugal: Current and Prospective Economic Trends. Washington, D.C.: World Bank, 1978.■ Krugman, Paul, and Jorge Braga de Macedo. "The Economic Consequences of the April 25th Revolution." Economia III (1979): 455-83.■ Lewis, John R., and Alan M. Williams. "The Sines Project: Portugal's Growth Centre or White Elephant?" Town Planning Review 56, 3 (1985): 339-66.■ Makler, Harry M. "The Consequences of the Survival and Revival of the Industrial Bourgeoisie." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 251-83. Madison: University of Wisconsin Press, 1983.■ Marques, A. La Politique Economique Portugaise dans la Période de la Dictature ( 1926-1974). Doctoral thesis, 3rd cycle, University of Grenoble, France, 1980.■ Martins, B. Sociedades e grupos em Portugal. Lisbon, 1973.■ Mata, Eugenia, and Nuno Valério. História Econômica De Portugal: Uma Perspectiva Global. Lisbon: Edit. Presença, 1994. Murteira, Mário. "The Present Economic Situation: Its Origins and Prospects." In L. S. Graham and H. M. Makler, eds., Contemporary Portugal, 331-42. Austin: University of Texas Press, 1979. OCED. Economic Survey: Portugal: 1988. Paris: OCED, 1988 [see also this series since 1978].■ Pasquier, Albert. L'Economie du Portugal: Données et Problémes de Son Expansion. Paris: Librarie Generale de Droit, 1961. Pereira da Moura, Francisco. Para onde vai e economia portuguesa? Lisbon, 1973.■ Pintado, V. Xavier. Structure and Growth of the Portuguese Economy. Geneva: EFTA, 1964.■ Pitta e Cunha, Paulo. "Portugal and the European Economic Community." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 321-38. Madison: University of Wisconsin Press, 1983.■. "The Portuguese Economic System and Accession to the European Community." In E. Sousa Ferreira and W. C. Opello, Jr., eds., Conflict and Change in Portugal, 1974-1984, 281-300. Lisbon, 1985. Porto, Manuel. "Portugal: Twenty Years of Change." In Alan Williams, ed., Southern Europe Transformed, 84-112. London: Harper & Row, 1984. Quarterly Economic Review. London: The Economist Intelligence Unit, 1974-present.■ Salgado de Matos, Luís. Investimentos Estrangeiros em Portugal. Lisbon, 1973 and later eds.■ Schmitt, Hans O. Economic Stabilisation and Growth in Portugal. Washington, D.C.: International Monetary Fund, 1981.■ Smith, Diana. Portugal and the Challenge of 1992. New York: Camões Center, RIIC, Columbia University, 1989.■ Tillotson, John. The Portuguese Bank Note Case [ 1920s]: Legal, Economic and Financial Approaches to the Measure of Damages in Contract. Manchester, U.K.: Faculty of Law, University of Manchester, 1992.■ Tovias, Alfred. Foreign Economic Relations of the Economic Community: The Impact of Spain and Portugal. Boulder, Colo.: Rienner, 1990.■ Valério, Nuno. A moeda em Portugal, 1913-1947. Lisbon: Sá da Costa, 1984.■. As Finanças Públicas Portuguesas Entre As Duas Guerras Mundiais. Lisbon: Cosmos, 1994.■ World Bank. Portugal: Current and Prospective Economic Trends. Washington, D.C.: World Bank, 1978 and to the present.■ PHOTOGRAPHY ON PORTUGAL■ Alves, Afonso Manuel, Antônio Sacchetti, and Moura Machado. Lisboa. Lisbon, 1991.■ Antunes, José. Lisboa do nosso olhar; A look on Lisbon. Lisbon: Câmara Municipal de Lisboa, 1991. Beaton, Cecil. Near East. London: Batsford, 1943.■. Lisboa 1942: Cecil Beaton, Lisbon 1942. Lisbon: British Historical Society of Portugal/Fundação Calouste Gulbenkian, 1995.■ Bottineau, Yves. Portugal. London: Thames & Hudson, 1957.■ Câmara Municipal de Lisboa. 7 Olhares ( Seven Viewpoints). Lisbon: Câmara Municipal de Lisboa, 1998.■ Capital, A. Lisboa: Imagens d'A Capital. Lisbon: Edit. Notícias, 1984.■ Dias, Marina Tavares. Photographias de Lisboa, 1900 ( Photographs of Lisbon, 1900). Lisbon: Quimera, 1991.■. Os melhores postais antigos de Lisboa ( The best old postcards of Lisbon). Lisbon: Químera, 1995.■ Finlayson, Graham, and Frank Tuohy. Portugal. London: Thames & Hudson, 1970.■ Glassner, Helga. Portugal. Berlin-Zurich: Atlantis-Verlag, 1942. Hopkinson, Amanda, ed. Reflections by Ten Portuguese photographers. Bark-way, U.K.: Frontline/Portugal 600, 1996.■ Lima, Luís Leiria, and Isabel Salema. Lisboa de Pedra e Bronze. Lisbon, 1990.■ Martins, Miguel Gomes. Lisboa ribeirinha ( Riverside Lisbon). Lisbon: Arquivo Municipal, Câmara Municipal de Lisboa, Livros Horizonte, 1994. Vieira, Alice. Esta Lisboa ( This Lisbon). Lisbon: Caminho, 1994. Wohl, Hellmut, and Alice Wohl. Portugal. London: Frederick Muller, 1983.■ EQUESTRIANISM■ Andrade, Manoel Carlos de, Luz da Liberal e Nobre Arte da Cavallaria. Lisbon, 1790.■ Graciosa, Filipe. Escola Portuguesa de Arte Equestre. Lisbon, 2004.■ Horsetalk Magazine. Published in New Zealand.■ Oliveira, Nuno. Reflections on the Equestrian Art. London, 2000.■ Russell, Eleanor, ed. The Truth in the Teaching of Nuno Oliveira. Stanhope,■ Queensland, Australia, 2003. Vilaca, Luis V., and Pedro Yglesias d'Oliveira, eds. LUSITANO. Coudelarias De Portugal. O Cavalo ancestral do Sudoeste da Europa. Lisbon: ICONOM, 2005.■ Websites of interest: www.equestrian.pt portugalweb.comHistorical dictionary of Portugal > CULTURE, LITERATURE, AND LANGUAGE
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11 Selander, Lesley
1900-1979Sus origenes en el cine se situan dentro de la tarea de operador de camara y, despues, ayudante de direccion. Su carrera como director comienza realmente en 1936. Lesley Selander es uno de los grandes especialistas del western, con mas de cien peliculas a sus espaldas. Decir “uno de los grandes especialistas” no es lo mismo que decir “uno de los grandes nombres” y, en efecto, la trayectoria de Selander, en lo que a la calidad de sus peliculas se refiere, es irregular. Lo que, sin embargo, sorprende es que la valoracion media de sus westerns no es baja, lo que indica que el director poseia un especial instinto para el genero, que pone de manifiesto con una plastica mas que correcta y un buen manejo del tiempo de la narracion. Inabarcable por su extension, es dificil senalar los filmes que destacan en tan amplia muestra, pero si me veo en la obligacion de citar alguno, no dudaria en elegir las peliculas que hizo para Allied Artists a finales de los anos 40 y principios de los 50, y algunas otras de las ultimas que realizo, como Dakota Lil o The Broken Star.Ride’ Em Cowboy. 1936. 59 minutos. Blanco y Negro. Universal. Buck Jo nes, Luana Walters.The Boss Rider of Gun Creek. 1936. 65 minutos. Blanco y Negro. Univ er sal. Buck Jones, Muriel Evans.Empty Saddles. 1936. 67 minutos. Blanco y Negro. Universal. Buck Jones, Louise Brooks, Claire Rochelle.Sandflow. 1937. 58 minutos. Blanco y Negro. Universal. Buck Jones, Lita Chevret.Left Handed Law. 1937. 63 minutos. Blanco y Negro. Universal. Buck Jones, Noel Francis, Nina Quartero.Smoke Tree Range. 1937. 59 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans.Hopalong Rides Again. 1937. 65 minutos. Blanco y Negro. Paramount. William Boyd, Lois Wilde, Russell Hayden, George Hayes.The Barrier. 1937. 90 minutos. Blanco y Negro. Paramount. Leo Carrillo, Jean Parker, James Ellison.Partners of the Plains. 1938. 68 minutos. Blanco y Negro. Paramount. William Boyd, Gwen Gaze, Russell Hayden, Harvey Clark.Cassidy on Bar 20. 1938. 56 minutos. Blanco y Negro. Paramount. William Boyd, Nora Lane, Russell Hayden, Frank Darien.Heart of Arizona. 1938. 68 minutos. Blanco y Negro. Paramount. William Boyd, Natalie Moorhead, Russell Hayden, George Hayes.Bar 20 Justice. 1938. 70 minutos. Blanco y Negro. Paramount. William Boyd, Gwen Gaze, Russell Hayden, George Hayes.Pride of the West. 1938. 56 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Field, Russell Hayden, George Hayes.The Mysterious Rider. 1938. 74 minutos. Blanco y Negro. Paramount. Douglas Drumbrille, Russell Hayden, Charlotte Field.The Frontiersman. 1938. 74 minutos. Blanco y Negro. Paramount. William Boyd, Evelyn Venable, Russell Hayden, George Hayes.Sunset Trail. 1939. 60 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Wynters, Jane Clayton, Russell Hayden, George Hayes.Heritage of the Desert. 1939. 74 minutos. Blanco y Negro. Paramount. Donald Woods, Russell Hayden, Evelyn Venable, Robert Barrat.Silver on the Sage (De cara a cara). 1939. 68 minutos. Blanco y Negro. Paramount. William Boyd, Ruth Rogers, Russell Hayden, George Hayes.The Renegade Trail. 1939. 61 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Wynters, Russell Hayden, George Hayes.Range War. 1939. 66 minutos. Blanco y Negro. Paramount. William Boyd, Betty Moran, Russell Hayden, Britt Wood.Santa Fe Marshal. 1940. 65 minutos. Blanco y Negro. Paramount. William Boyd, Bernadine Hayes, Russell Hayden, Britt Wood.Knights of the Range. 1940. 68 minutos. Blanco y Negro. Paramount. Russell Hayden, Jean Parker, Victor Jory.The Light of Western Stars. 1940. 67 minutos. Blanco y Negro. Para mount. Russell Hayden, Victor Jory, Jo Ann Sayers.Hidden Gold. 1940. 61 minutos. Blanco y Negro. Paramount. William Boyd, Ruth Rogers, Russell Hayden, Britt Wood.Stagecoach War. 1940. 63 minutos. Blanco y Negro. Paramount. William Boyd, Julie Carter, Russell Hayden, Eddy Waller.Cherokee Strip. 1940. 86 minutos. Blanco y Negro. Paramount. Richard Dix, Florence Rice, Victor Jory, Andy Clyde.Three Men from Texas (Hombres del Oeste). 1940. 70 minutos. Blanco y Negro. Paramount. William Boyd, Esther Estrella, Russell Hayden, Andy Clyde.Doomed Caravan. 1941. 62 minutos. Blanco y Negro. Paramount. William Boyd, Georgia Hawkins, Russell Hayden, Andy Clyde.The Roundup. 1941. 90 minutos. Blanco y Negro. Paramount. Richard Dix, Patricia Morison, Preston Foster.Pirates on Horseback. 1941. 69 minutos. Blanco y Negro. Paramount. Wi lliam Boyd, Eleanor Stewart, Russell Hayden, Andy Clyde.Wide Open Town (La ley del Oeste). 1941. 78 minutos. Blanco y Negro. Paramount. William Boyd, Evelyn Brent, Bernice Kay, Russell Hayden, Andy Clyde.Riders of the Timberline. 1941. 59 minutos. Blanco y Negro. Paramount. William Boyd, Eleanor Stewart, Brad King,Stick to Your Guns. 1941. 63 minutos. Blanco y Negro. Paramount. William Boyd, Jennifer Holt, Brad King, Andy Clyde.Thundering Hoofs. 1942. 61 minutos. Blanco y Negro. RKO. Tim Holt, Luana Walters, Lee White, Ray Whitley.Bandit Ranger. 1942. 58 minutos. Blanco y Negro. RKO. Tim Holt, Joan Barclay, Cliff Edwards.Undercover Man. 1942. 68 minutos. Blanco y Negro. UA. William Boyd, Nora Lane, Esther Estrella, Jay Kirby, Andy Clyde.Border Patrol. 1943. 66 minutos. Blanco y Negro. UA. William Boyd, Claudia Drake, Jay Kirby, Andy Clyde.Buckskin Frontier. 1943. 74 minutos. Blanco y Negro. UA. Richard Dix, Jane Wyatt, Lee J. Cobb, Albert Dekker.Colt Comrades. 1943. 67 minutos. Blanco y Negro. UA. William Boyd, Gayle Lord, Jay Kirby, Andy Clyde.Red River Robin Hood. 1942. 57 minutos. Blanco y Negro. RKO. Tim Holt, Barbara Moffett, Cliff Edwards.Bar 20. 1943. 54 minutos. Blanco y Negro. UA. William Boyd, Dustine Farnum, George Reeves, Andy Clyde.Riders of the Deadline. 1943. 70 minutos. Blanco y Negro. UA. William Boyd, Frances Woodward, Jimmy Rogers, Andy Clyde.Lost Canyon. 1942. 61 minutos. Blanco y Negro. UA. William Boyd, Nora Lane, Jay Kirby, Andy Clyde.Lumberjack. 1944. 65 minutos. Blanco y Negro. UA. William Boyd, Ellen Hall, Jimmy Rogers, Andy Clyde.Forty Thieves. 1944. 60 minutos. Blanco y Negro. UA. William Boyd, Louise Currie, Jimmy Rogers, Andy Clyde.Call of the Rockies. 1944. 56 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Ellen Hall.Bordertown Trail. 1944. 55 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Ellen Lowe.Stagecoach to Monterey. 1944. 55 minutos. Blanco y Negro. Republic. Allan Lane, Peggy Stewart, Roy Barcroft.Cheyenne Wildcat. 1944. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Peggy Stewart, Bob Blake.Sheriff of Sundown. 1944. 55 minutos. Blanco y Negro. Republic. Allan Lane, Max Terhune, Linda Sterling.Firebrands of Arizona. 1944. 55 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Peggy Stewart.Sheriff of Las Vegas. 1944. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Peggy Stewart, Bob Blake.The Great Stagecoach Robbery. 1945. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Bob Blake.Trail of Kit Carson. 1945. 57 minutos. Blanco y Negro. Republic. Allan Lane, Helen Talbot.Phantom of the Plains. 1945. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Bob Blake.Out California Way. 1946. 67 minutos. Trucolor. Republic. Monte Hale, Adrian Booth, John Dehner, Bobby Blake.Last Frontier Uprising. 1947. 67 minutos. Trucolor. Republic. Monte Hale, Adrian Booth, Roy Barcroft.Saddle Pals. 1947. 72 minutos. Blanco y Negro. Republic. Gene Autry, Lynne Roberts, Sterling Holloway.Robin Hood of Texas. 1947. 71 minutos. Blanco y Negro. Republic. Gene Autry, Lynne Roberts, Sterling Holloway.The Red Stallion. 1947. 81 minutos. Cinecolor. Eagle Lion. Robert Paige, Noreen Nash.Belle Star’s Daughter. 1947. 85 minutos. Blanco y Negro. Alson (Fox). George Montgomery, Rod Cameron, Ruth Roman.Panhandle (Imperio del crimen). 1948. 85 minutos. Blanco y Negro. Allied. Rod Cameron, Cathy Downs, Reed Hadley, Anne Gwynne.Guns of Hate. 1948. 62 minutos. Blanco y Negro. RKO. Tim Holt, Nan Leslie, Richard Martin.Indian Agent. 1948. 63 minutos. Blanco y Negro. RKO. Tim Holt, Nan Leslie, Richard Martin, Lee “Lasses” White.Brothers in the Saddle. 1949. 60 minutos. Blanco y Negro. RKO. Tim Holt, Virginia Cox, Richard Martin.Rustlers. 1949. 61 minutos. Blanco y Negro. RKO. Tim Holt, Martha Hyer, Richard Martin.Stampede. 1949. 78 minutos. Blanco y Negro. Allied. Rod Cameron, Johnny Mack Brown, Gale Storm.Masked Raiders. 1949. 60 minutos. Blanco y Negro. RKO. Tim Holt, Marjorie Lord, Richard Martin.The Mysterious Desperado. 1949. 61 minutos. Blanco y Negro. RKO. Tim Holt, Movita, Richard Martin.Dakota Lil. 1950. 88 minutos. Cinecolor. Fox. George Montgomery, Marie Windsor, Rod Cameron.Riders of the Range. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Jacqueline White, Richard Martin.Storm Over Wyoming. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Noreen Nash, Betty Underwood, Richard Martin.Rider from Tucson. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Elaine Riley, Veda Ann Borg, Richard Martin.Rio Grande Patrol (Patrulla de Rio Grande). 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Jane Nigh, Richard Martin.The Kangaroo Kid. 1950. 72 minutos. Blanco y Negro. Allied Australian. Jock Mahoney, Veda Ann Borg, Douglass Dumbrille, Martha Hyer.Short Grass. 1950. 82 minutos. Blanco y Negro. Allied. Rod Cameron, Johnny Mack Brown, Cathy Downs.Law of the Badlands. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard MartinSaddle Legion. 1951. 61 minutos. Blanco y Negro. RKO. Tim Holt, Dorothy Malone, Richard Martin.Cavalry Scout. 1951. 78 minutos. Cinecolor. Monogram. Rod Cameron, Audrey Long, Jim Davis.Gunplay. 1951. 69 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.Pistol Harvest. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.Overland Telegraph. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Gail Davis, Richard Martin.Fort Osage. 1952. 72 minutos. Cinecolor. Monogram. Rod Cameron, Jane Nigh.Trail Guide (Rastro oculto). 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Linda Douglas (Mary Jo Tarola), Richard Martin.Road Agent. 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Noreen Nash, Richard Martin.Desert Passage. 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.The Raiders. 1952. 80 minutos. Technicolor. Universal. Richard Conte, Viveca Lindfords, Richard Martin, Barbara Britton.Fort Vengeance (Fort Venganza). 1953. 75 minutos. Cinecolor. Allied. James Craig, Rita Moreno, Keith Larsen.Cow Country. 1953. 82 minutos. Blanco y Negro. Allied. Edmond O’Brien, Peggie Castle, Robert Barrat, Helen Westcott.War Paint. 1953. 89 minutos. Pathecolor. K-B Productions (UA). Robert Stack, Joan Taylor, Charles McGraw.Arrow in the Dust (Flechas incendiarias). 1954. 80 minutos. Technicolor. Allied. Sterling Hayden, Coleen Gray, Keith Larsen.The Yellow Tomahawk. 1954. 82 minutos. Color Corp. Of America. Bel-Air (UA). Rory Calhoun, Peggie Castle, Peter Graves.Shotgun (La pradera sangrienta). 1955. 81 minutos. Technicolor. Allied. Sterling Hayden, Yvonne De Carlo, Zachary Scott.Fort Yuma. 1955. 78 minutos. Technicolor. Bel-Air (UA). Peter Graves, Jean Vohs, John Hudson, Joan Taylor.Tall Man Riding. 1955. 83 minutos. Warnercolor. WB. Randolph Scott, Dorothy Malone, Robert Barrat, Peggie Castle.The Broken Star. 1956. 82 minutos. Blanco y Negro. Bel-Air (UA). Howard Duff, Lita Baron, Bill Williams.Quincannon - Frontier Scout. 1956. 83 minutos. Color DeLuxe. Bel-Air (UA). Tony Martin, Peggie Castle, John Bromfield.Tomahawk Trail. 1957. 60 minutos. Blanco y Negro. Bel-Air (UA). Chuck Connors, Susan Cummings, John Smith.Revolt at Fort Laramie. 1957. 73 minutos. Color DeLuxe. Bel-Air (UA). John Dehner, Gregg Palmer, Frances Helm.Outlaw’s Son. 1957. 87 minutos. Blanco y Negro. Bel-Air (UA). Dane Clark, Ben Cooper, Lori Nelson.The Lone Ranger and the Lost City of Gold. 1958. 80 minutos. East man color. UA. Clayton Moore, Jay Silverheels, Noreen Nash.Convict Stage. 1965. 71 minutos. Blanco y Negro. Fox. Harry Lauter, Do nald Barry, Jodi Mitchell.War Party. 1965. 72 minutos. Blanco y Negro. Fox. Michael T. Mikler, Do nald Barry, Laurie Mack.Fort Courageous. 1965. 72 minutos. Blanco y Negro. Fox. Fred Beir, Do nald Barry, Hanna Landy.Town Tamer. 1965. 89 minutos. Technicolor. Techniscope. A.C. Lyles (Para mount). Dana Andrews, Terry Moore, Pat O’Brien, Coleen Gray.The Texican/Texas Kid (Texas Kid). 1966. 86 minutos. Eastmancolor. Techniscope. M.C.R./Balcazar (Columbia). Audie Murphy, Broderick Craw ford, Diana LorysFort Utah. 1967. 83 minutos. Technicolor. Techniscope. A.C. Lyles (Para mount). John Ireland, Virginia Mayo, Scott Brady.Arizona Bushwhackers. 1968. 86 minutos. Technicolor. Techniscope. A.C. Lyles (Paramount). Howard Keel, Yvonne De Carlo, John Ireland.English-Spanish dictionary of western films > Selander, Lesley
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12 Newfield, Sam
1899-1964Nacido Samuel Neufeld, hermano de Sigmund Neufeld, futuro jefe de produccion de PRC, dirige cortometrajes desde 1926, y largometrajes desde 1933. Probablemente el mas prolifico realizador norteamericano de la era sonora, dirigio, sobre todo, westerns. Por sus manos paso una parte importante de los viejos heroes del genero, en peliculas de una hora de duracion y argumentos eternamente repetidos. Solo leer su filmografia produce cierto vertigo. Establecerla rigurosamente es una tarea ardua, especialmente en lo relativo al orden cronologico estricto, por lo que en esta ocasion mas que en ninguna otra hay que entender que ese orden es susceptible de correccion. Utiliza los seudonimos de Peter Stewart y Sherman Scott. Se ha prescindido de tres aparentes largometrajes, situados al final de su carrera y obtenidos, cada uno de ellos, por super posicion de dos episodios del serial televisivo “Hawkeye and the Last of the Mohicans”. Aunque el nivel medio de los filmes de Sam Newfeld es realmente bajo, hay que citar dos curiosidades: Harlem on the Prairie (1937) esta interpretado integramente por negros, y The Terror of Tiny Town (1938), por enanos, que se mueven en decorados de tamano normal.Undercover Men. 1935. 60 minutos. Blanco y Negro. Dominion. Charles Starrett, Adrienne Dore.Northern Frontier. 1935. 60 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Eleanor Hunt, LeRoy Mason.Code of the Mounted (Fiel a su consigna). 1935. 60 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Lilian Miles, Robert Warwick.Branded a Coward (El botin del rancho). 1935. 57 minutos. Blanco y Negro. Supreme. Johnny Mack Brown, Billie Seward, Syd Taylor.Trails of the Wild. 1935. 60 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Billie Seward, Fuzzy Knight.Timber War. 1935. 60 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Lucille Lund, Lawrence Gray.Bulldog Courage. 1935. 60 minutos. Blanco y Negro. Puritan. Tim McCoy, Joan Woodbury.Roarin’ Guns. 1936. 59 minutos. Blanco y Negro. Puritan. Tim McCoy, Rosalinda Rice, Rex Lease.Border Caballero. 1936. 59 minutos. Blanco y Negro. Puritan. Tim McCoy, Lois January, Ralph Byrd.Lightnin’ Bill Carson. 1936. 57 minutos. Blanco y Negro. Puritan. Tim McCoy, Lois January, Rex Lease.Aces and Eights. 1936. 62 minutos. Blanco y Negro. Puritan. Tim McCoy, Luana Walters, Rex Lease.The Lion’s Den. 1936. 59 minutos. Blanco y Negro. Puritan. Tim McCoy, Joan Woodbury, Don Barclay.Ghost Patrol. 1936. 60 minutos. Blanco y Negro. Puritan. Tim McCoy, Claudia Dell, Walter Miller.The Traitor. 1936. 56 minutos. Blanco y Negro. Puritan. Tim McCoy, Frances Grant, Wally Wales.Roarin’ Lead (co-d.: Mack V. Wright). 1936. 57 minutos. Blanco y Negro. Republic. Bob Livingston, Ray Corrigan, Max Terhune, Christine Maple.Stormy Trails. 1936. 58 minutos. Blanco y Negro. Colony (Grand National). Rex Bell, Lois Wilde, Lane Chandler.The Gambling Terror. 1937. 53 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Iris Meredith, Horace Murphy.Lightnin’ Crandall. 1937. 60 minutos. Blanco y Negro. Republic. Bob Steele, Lois January, Frank LaRue.Trail of Vengeance. 1937. 58 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Iris Meredith.Melody of the Plains. 1937. 55 minutos. Blanco y Negro. Spectrum. Fred Scott, Al St. John, Louise Small.Bar-Z Bad Men. 1937. 57 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Lois January.Guns in the Dark. 1937. 56 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Claire Rochelle, Syd Saylor.Gun Lords of Stirrup Basin. 1937. 53 minutos. Blanco y Negro. Republic. Bob Steele, Louise Stanley, Frank LaRue.A Lawman Is Born. 1937. 58 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Iris Meredith, Al St. John.Doomed at Sundown. 1937. 53 minutos. Blanco y Negro. Republic. Bob Steele, Lorraine Randall.Boothill Brigade. 1937. 56 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Claire Rochelle, Horace Murphy.Arizona Gunfighter. 1937. 58 minutos. Blanco y Negro. Republic. Bob Steele, Jean Carmen, Ted Adams.Ridin’ the Lone Trail. 1937. 56 minutos. Blanco y Negro. Republic. Bob Steele, Claire Rochelle, Charles King.Moonlight on the Range. 1937. 52 minutos. Blanco y Negro. Spectrum. Fred Scott, Al St. John, Lois January.The Fighting Deputy. 1937. 57 minutos. Blanco y Negro. Spectrum. Fred Scott, Al St. John, Marjorie Beebe.The Colorado Kid. 1937. 56 minutos. Blanco y Negro. Republic. Bob Steele, Marion Weldon, Karl Hackett.Harlem on the Prairie (co-d.: Jed Buell). 1937. 55 minutos. Blanco y Negro. Associated. Herbert Jeffries, Connie Harris.Paroled To Die. 1938. 55 minutos. Blanco y Negro. Republic. Bob Steele, Kathleen Eliot, Karl Hackett.The Ranger’s Roundup. 1938. 55 minutos. Blanco y Negro. Spectrum (Stan Laurel Prod.) Fred Scott, Al St. John, Christine McIntyre.Thunder in the Desert. 1938. 56 minutos. Blanco y Negro. Republic. Bob Steele, Louise Stanley, Don Barclay.Code of the Rangers. 1938. 56 minutos. Blanco y Negro. Concord (Monogram). Tim McCoy, Judith Ford, Rex Lease.The Feud Maker. 1938. 55 minutos. Blanco y Negro. Republic. Bob Steele, Marion Weldon, Karl Hackett.Knights of the Plains (Allende Rio Grande). 1938. 57 min. Blanco y Negro. Spectrum (Stan Laurel Prod.) Fred Scott, Al St. John, Marion Weldon.Songs and Bullets. 1938. 58 minutos. Blanco y Negro. Spectrum (Stan Laurel Prod.) Fred Scott, Al St. John, Alice Ardell.Gunsmoke Trail. 1938. 57 minutos. Blanco y Negro. Concord (Monogram). Jack Randall, Louise Stanley, Al St. John.Phantom Ranger. 1938. 54 minutos. Blanco y Negro. Concord (Mono gram). Tim McCoy, Suzanne Kaaren.Desert Patrol. 1938. 56 minutos. Blanco y Negro. Republic. Bob Steele, Marion Weldon, Rex Lease.Durango Valley Raiders. 1938. 55 minutos. Blanco y Negro. Republic. Bob Steele, Louise Stanley, Karl Hackett.Frontier Scout. 1938. 61 minutos. Blanco y Negro. Fine Arts (Grand Natio nal). George Houston, Al St. John, Beth Marion.Lightning Carson Rides Again. 1938. 58 minutos. Blanco y Negro. Victory. Tim McCoy, Joan Barclay, Ben Corbett.Six-Gun Trail. 1938. 59 minutos. Blanco y Negro. Victory. Tim McCoy, Nora Lane, Ben Corbett.The Terror of Tiny Town. 1938. 62 minutos. Blanco y Negro. Principal (Co lumbia). Billy Curtis, Little Billy Rhodes, Nita Krebs, Yvonne Moray.Trigger Pals. 1939. 60 minutos. Blanco y Negro. Cinemart (Grand Natio nal). Art Jarrett, Lee Powell, Dorothy Faye, Al St. John.Six-Gun Rhythm. 1939. 55 minutos. Blanco y Negro. Arcadia (Grand National). Tex Fletcher, Joan Barclay, Ralph Peters.Code of the Cactus. 1939. 56 minutos. Blanco y Negro. Victory. Tim McCoy, Dorothy Short, Ben Corbett.Texas Wildcats. 1939. 57 minutos. Blanco y Negro. Victory. Tim McCoy, Joan Barclay, Ben Corbett.Outlaw’s Paradise. 1939. 62 minutos. Blanco y Negro. Victory. Tim McCoy, Joan Barclay, Ben Corbett.Straight Shooter. 1939. 54 minutos. Blanco y Negro. Victory. Tim McCoy, Julie Sheldon, Ben Corbett.Fighting Renegade. 1939. 58 minutos. Blanco y Negro. Victory. Tim McCoy, Joyce Bryant, Ben Corbett.Trigger Fingers. 1939. 60 minutos. Blanco y Negro. Victory. Tim McCoy, Jill Martin (Harley Wood), Ben Corbett.Fighting Mad. 1939. 60 minutos. Blanco y Negro. Monogram. James Newill, Sally Blane, Benny Rubin, Dave O’Brien.Flaming Lead. 1939. 57 minutos. Blanco y Negro. Colony. Ken Maynard, Eleanor Stewart, Dave O’Brien.The Sagebrush Family Trails West (Peter Stewart). 1940. 60 minutos. Blanco y Negro. PRC. Bobby Clark, Nina Guilbert, Earle Hodgins.Texas Renegades (Peter Stewart). 1940. 59 minutos. Blanco y Negro. PRC. Tim McCoy, Nora Lane, Harry Harvey.Death Rides the Range. 1940. 58 minutos. Blanco y Negro. Colony. Ken Maynard, Fay McKenzie, Raph Peters.Frontier Crusader (Peter Stewart). 1940. 62 minutos. Blanco y Negro. PRC. Tim McCoy, Dorothy Short, Lou Fulton.Billy the Kid Outlawed (Peter Stewart). 1940. 52 minutos. Blanco y Negro. PRC. Bob Steele, Al St. John, Louise Currie.Gun Code (Peter Stewart). 1940. 54 minutos. Blanco y Negro. PRC. Tim McCoy, Inna Gest, Lou Fulton.Marked Men (Sherman Scott). 1940. 66 minutos. Blanco y Negro. PRC. Warren Hull, Isabel Jewell.Arizona Gang Busters (Peter Stewart). 1940. 57 minutos. Blanco y Negro. PRC. Tim McCoy, Pauline Haddon, Lou Fulton.Billy the Kid in Texas (Peter Stewart). 1940. 52 minutos. Blanco y Negro. PRC. Bob Steele, Terry Walker, Al St. John.Riders of Black Mountain (Peter Stewart). 1940. 57 minutos. Blanco y Negro. PRC. Tim McCoy, Pauline Haddon, Ralph Peters, Rex Lease.Billy the Kid’s Gun Justice (Peter Stewart). 1940. 57 minutos. Blanco y Negro. PRC. Bob Steele, Louise Currie, Al St. John.The Lone Rider Rides On. 1941. 61 minutos. Blanco y Negro. PRC. George Houston, Hillary Brooke, Al St. John.Billy the Kid’s Range War (Peter Stewart). 1941. 57 minutos. Blanco y Negro. PRC. Bob Steele, Joan Barclay, Al St. John.The Lone Rider Crosses the Rio/Across the Border. 1941. 63 minutos. Blanco y Negro. PRC. George Houston, Roquell Verrin, Al St. John.Outlaws of the Rio Grande (Peter Stewart). 1941. 63 minutos. Blanco y Negro. PRC. Tim McCoy, Virginia Carpenter, Ralph Peters.Billy the Kid’s Fighting Pals (Sherman Scott). 1941. 62 minutos. Blanco y Negro. PRC. Bob Steele, Phyllis Adair, Al St. John.The Lone Rider in Ghost Town. 1941. 64 minutos. Blanco y Negro. PRC. George Houston, Alaine Brandes, Al St. John.Billy the Kid in Santa Fe (Sherman Scott). 1941. 66 minutos. Blanco y Negro. PRC. Bob Steele, Al St. John, Rex Lease.The Texas Marshal (Paul Stewart). 1941. 58 minutos. Blanco y Negro. PRC. Tim McCoy, Kay Leslie, Art Davis, Dave O’Brien.The Lone Rider in Frontier Fury. 1941. 62 minutos. Blanco y Negro. PRC. George Houston, Hillary Brooke, Al St. John.The Lone Rider Ambushed. 1941. 67 minutos. Blanco y Negro. PRC. George Houston, Maxine Leslie, Al St. John.Billy the Kid Wanted (Sherman Scott). 1941. 64 minutos. Blanco y Negro. PRC. Buster Crabbe, Choti Sherwood, Al St. John.The Lone Rider Fights Back. 1941. 64 minutos. Blanco y Negro. PRC. George Houston, Dorothy Short, Al St. John.Billy the Kid’s Round-Up (Sherman Scott). 1941. 58 minutos. Blanco y Negro. PRC. Buster Crabbe, Joan Barclay, Al St. John.Texas Manhunt (Peter Stewart). 1942. 60 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Julie Duncan, Lee Powell.The Lone Rider and the Bandit. 1942. 54 minutos. Blanco y Negro. PRC. George Houston, Al St. John, Vickie Lester.Raiders of the West (Peter Stewart). 1942. 60 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Virginia Carroll, Lee Powell.Billy the Kid Trapped (Sherman Scott). 1942. 59 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Anne Jeffreys.The Lone Rider in Cheyenne. 1942. 59 minutos. Blanco y Negro. PRC. George Houston, Al St. John, Ella Neal.Rolling Down the Great Divide (Peter Stewart). 1942. 59 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Wanda McKay, Lee Powell.Billy the Kid’s Smoking Guns (Sherman Scott). 1942. 58 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Joan Barclay.Texas Justice. 1942. 58 minutos. Blanco y Negro. PRC. George Houston, Al St. John, Wanda McKay.Tumbleweed Trail (Peter Stewart). 1942. 57 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Marjorie Manners, Lee Powell.Law and Order (Sherman Scott). 1942. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Wanda McKay.Prairie Pals (Peter Stewart). 1942. 60 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Esther Estrella, Lee Powell.Border Roundup. 1942. 57 minutos. Blanco y Negro. PRC. George Hous ton, Al St. John, Patricia Knox.Along the Sundown Trail (Peter Stewart). 1942. 57 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Julie Duncan, Lee Powell.Sheriff of Sage Valley (Sherman Scott). 1962. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Maxine Leslie.The Mysterious Rider. 1942. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Caroline Burke.Outlaws of Boulder Pass. 1942. 58 minutos. Blanco y Negro. PRC. George Houston, Al St. John, Marjorie Manners.Overland Stagecoach. 1942. 58 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Julie Duncan.The Kid Rides Again (Sherman Scott). 1943. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Iris Meredith.Wild Horse Rustlers. 1943. 58 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Lane Chandler, Linda Johnson.Fugitive of the Plains. 1943. 57 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Maxine Leslie.Death Rides the Plains. 1943. 55 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Nica Doret.Western Cyclone. 1943. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Marjorie Manners.Wolves of the Range. 1943. 60 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Frances Gladwyn.Cattle Stampede. 1943. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Frances Gladwin.The Renegade. 1943. 58 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Lois Ranson.Blazing Frontier. 1943. 59 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Marjorie Manners.Raiders of Red Gap. 1943. 56 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Myrna Dell.The Devil Riders. 1943. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.Frontier Outlaws. 1944. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Frances Gladwin.Thundering Gunslingers. 1944. 59 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Frances Gladwin.Valley of Vengeance. 1944. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Evelyn Finley.The Drifter. 1944. 62 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Carol Parker.Fuzzy Settles Down. 1944. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.Rustler’s Hideout. 1944. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.Wild Horse Phantom. 1944. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Elaine Morley.Oath of Vengeance. 1944. 57 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Mady Lawrence.His Brother’s Ghost. 1945. 54 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John.Shadows of Death. 1945. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Donna Dax.Gangster’s Den. 1945. 55 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Sydney Logan.Stagecoach Outlaws. 1945. 55 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Frances Gladwin.Border Badmen. 1945. 59 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Lorraine Miller.Fighting Bill Carson. 1945. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Kay Hugues.Prairie Rustlers. 1945. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Evelyn Finley.Ligthning Raiders. 1946. 61 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Mady Lawrence.Gentlemen with Guns. 1946. 52 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patricia Knox.Terrors on Horseback. 1946. 55 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.Ghost of Hidden Valley. 1946. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Jean Carlin.Prairie Badmen. 1946. 55 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patricia Knox.Overland Riders. 1946. 54 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.Outlaws of the Plains. 1946. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.Western Pacific Agent. 1950. 62 minutos. Blanco y Negro. Lippert. Kent Taylor, Sheila Ryan, Robert Lowery.Three Desperate Men. 1951. 69 minutos. Blanco y Negro. Lippert. Preston Foster, Virginia Grey, Jim Davis.Skipalong Rosenbloom. 1951. 72 minutos. Blanco y Negro. Eagle Lion Classics (UA). Max Rosenbloom, Jackie Coogan, Hillary Brooke.Outlaw Women (co-d.: Ron Ormond). 1952. 75 minutos. Cinecolor. Howco (Lippert). Marie Windsor, Richard Rober.Last of the Desperados. 1955. 71 minutos. Blanco y Negro. Associated. James Craig, Margia Dean, Jim Davis.The Wild Dakotas. 1956. 71 minutos. Blanco y Negro. Associated. Bill Williams, Coleen Gray, Jim Davis.The Three Outlaws. 1956. 74 minutos. Blanco y Negro. SuperScope. Asso ciated. Neville Brand, Alan Hale, Jr., Lillian Molieri, Jeanne Carmen.Frontier Gambler. 1956. 70 minutos. Blanco y Negro. Associated. John Bromfield, Coleen Gray, Jim Davis, Margia Dean.Wolf Dog. 1958. 69 minutos. Blanco y Negro. RegalScope. Regal (Fox). Jim Davis, Allison Hayes.Flaming Frontier. 1958. 70 minutos. Blanco y Negro. RegalScope. Regal (Fox). Bruce Bennett, Paisley Maxwell, Jim Davis. -
13 Berke, William A.
1903-1958Despues de graduarse en la Escuela Politecnica de Los Angeles, Berke intenta abrirse camino en el cine, en el departamento fotografico. Una lesion ocular orienta su actividad hacia la produccion y la direccion, particularmente de westerns de bajo presupuesto, a partir de mediados de los anos treinta. Es tamos, pues, de nuevo ante un realizador de series y modestas pe liculas de genero. Trabajo, sobre todo, para la estrella de la epoca, Charles Starrett, con Co lumbia. Utiliza, en los comienzos de su carrera como director, los seudonimos de Lester Williams y William Hall.The Pecos Kid. 1935. 60 minutos. Blanco y Negro. Commodore. Fred Kohler, Jr., Ruth Findley, Roger Williams.Toll of the Desert (Lester Wiliams). 1935. 60 minutos. Blanco y Negro. Commodore. Fred Kohler, Jr., Betty Mack.Desert Justice (Lester Williams). 1936. 58 minutos. Blanco y Negro. Atlantic. Jack Perrin, David Sharpe, Maryan Downing.Gun Grit (Lester Williams). 1936. 51 minutos. Blanco y Negro. Atlantic. Jack Perrin, Ethel Beck, David Sharpe.Lawless Plainsmen. 1942. 59 minutos. Blanco y Negro. Columbia. Charles Starrett, Russell Hayden, Luana Walters, Cliff Edwards.Down Rio Grande Way. 1942. 57 minutos. Blanco y Negro. Columbia. Charles Starrett, Russell Hayden, Rose Anne Stevens, Britt Wood.Riders of the Northland. 1942. 58 minutos. Blanco y Negro. Columbia. Charles Starrett, Russell Hayden, Shirley Patterson, Cliff Edwards.Bad Men of the Hills. 1942. 58 minutos. Blanco y Negro. Columbia. Charles Starrett, Russell Hayden, Luana Walters, Cliff Edwards.Overland to Deadwood. 1942. 59 minutos. Blanco y Negro. Columbia. Charles Starrett, Russell Hayden, Leslie Brooks, Cliff Edwards.Riding Through Nevada. 1942. 58 minutos. Blanco y Negro. Columbia. Charles Starrett, Shirley Patterson, Arthur Hunnicutt.The Lone Prairie. 1942. 58 minutos. Blanco y Negro. Columbia. Russell Hayden, Dub Taylor, Lucille Lambert.Pardon My Gun. 1942. 56 minutos. Blanco y Negro. Columbia. Charles Starrett, Alma Carroll, Arthur Hunnicutt.A Tornado in the Saddle. 1942. 59 minutos. Blanco y Negro. Columbia. Russell Hayden, Dub Taylor, Alma Carroll.The Fighting Buckaroo. 1943. 58 minutos. Blanco y Negro. Columbia. Charles Starrett, Kay Harris, Arthur Hunnicutt.Riders of the Northwest Mounted. 1943. 57 minutos. Blanco y Negro. Columbia. Russell Hayden, Dub Taylor, Adele Mara.Saddles and Sagebrush. 1943. 54 minutos. Blanco y Negro. Columbia. Russell Hayden, Dub Taylor, Ann Savage.Law of the Northwest. 1943. 57 minutos. Blanco y Negro. Columbia. Charles Starrett, Shirley Patterson, Arthur Hunnicutt.Frontier Fury. 1943. 55 minutos. Blanco y Negro. Columbia. Charles Starrett, Roma Aldrich, Arthur Hunnicutt.Robin Hood of the Range. 1943. 57 minutos. Blanco y Negro. Columbia. Charles Starrett, Kay Harris, Arthur Hunnicutt.Hail to the Rangers. 1943. 57 minutos. Blanco y Negro. Columbia. Charles Starrett, Leota Atcher, Arthur Hunnicutt.Silver City Raiders. 1943. 55 minutos. Blanco y Negro. Columbia. Russell Hayden, Dub Taylor, Alma Carroll.The Vigilantes Ride. 1944. 56 minutos. Blanco y Negro. Columbia. Russell Hayden, Dub Taylor, Shirley Patterson.Wyoming Hurricane. 1944. 58 minutos. Blanco y Negro. Columbia. Russell Hayden, Dub Taylor, Alma Carroll.Riding West. 1944. 58 minutos. Blanco y Negro. Columbia. Charles Starrett, Shirley Patterson, Arthur Hunnicutt.The Last Horseman. 1944. 60 minutos. Blanco y Negro. Columbia. Russell Hayden, Dub Taylor, Ann Savage.Sunset Pass. 1946. 59 minutos. Blanco y Negro. RKO. James Warren, Nan Leslie, Jane Greer.Renegade Girl. 1946. 65 minutos. Blanco y Negro. Screen Guild. Alan Curtis, Ann Savage.Code of the West. 1947. 57 minutos. Blanco y Negro. RKO. James Warren, Steve Brodie, Rita Lynn.Deputy Marshal. 1949. 60 minutos. Blanco y Negro. Lippert. Jon Hall, Dick Foran, Frances Langdorf, Julie Bishop.I Shot Billy the Kid. 1950. 57 minutos. Blanco y Negro. Donald M. Barry Productions (Lippert). Don Barry, Robert Lowery, Wendy Lee.Gunfire. 1950. 62 minutos. Blanco y Negro. Donald M. Barry Productions (Lippert). Don Barry, Robert Lowery, Pamela Blake.Train to Tombstone. 1950. 56 minutos. Blanco y Negro. Donald M. Barry Productions (Lippert). Don Barry, Robert Lowery, Judith Allen.Border Rangers. 1950. 62 minutos. Blanco y Negro. Donald M. Barry Productions (Lippert). Don Barry, Robert Lowery, Pamela Blake.The Bandit Queen. 1950. 70 minutos. Blanco y Negro. Lippert. Barbara Britton, Willard Parker, Jack Perrin.The Marshal’s Daughter. 1953. 71 minutos. Blanco y Negro. UA. Hoot Gibson, Laurie Anders, Johnny Mack Brown, Jimmy Wakely.English-Spanish dictionary of western films > Berke, William A.
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14 Sturges, John
1911-1992Nacido en Oak Pak, Illinois, pasa su juventud en la sala de montaje de RKO. Durante la Segunda Guerra Mundial colabora en la realizacion de documentales de propaganda y es al terminar esta cuando, contratado por Columbia, tiene la oportunidad de dirigir su primer largometraje en 1946, The Man Who Dared. En 1949 pasa a Metro-Goldwyn-Mayer, donde sus posibilidades de abordar proyectos mas ambiciosos aumentan. Es precisamente en los anos 50 cuando Sturges alcanza un importante prestigio como director de westerns y filmes de accion. John Sturges se muestra siempre como un realizador enormemente eficaz. Lo habia sido en sus comienzos, cuando bregaba con la dificil y formativa serie B, y lo fue mas tarde, cuando se le encomendaron proyectos mas ambiciosos y costosos. Ejemplo tipico de cineasta de genero, cuenta en su haber con un buen punado de magnificas peliculas entre las que se encuentran algunos westerns. Debo confesar una especial predileccion por La gran evasion (The Great Escape, 1963), con un reparto casi exclusivamente masculino que le otorgo, en lo sucesivo, la fama de director de hombres, y, ya dentro del western, por Fort Bravo y Duelo de titanes. En esta ultima pelicula revisa de nuevo la historia, cercana al mito, de Wyatt Earp y el celebre duelo en O.K. Corral que, entre otros, habia tratado John Ford en Pasion de los fuertes (My Darling Clementine, 1946). Sturges aborda el asunto en dos ocasiones, en la citada Duelo de titanes y, posteriormente, en La hora de las pistolas, una vi sion un tanto crepuscular del tema. Pero este filme corresponde ya a la ultima etapa creativa de Sturges, que podemos iniciar inmediatamente despues de La gran evasion, en la que recibio no pocas criticas ne gativas debido a cierto amaneramiento en la puesta en escena, que contrastaba con el vigor nada vacilante que caracterizo sus anos de plenitud.The Walking Hills. 1949. 78 minutos. Blanco y Negro. Columbia. Randolph Scott, Ella Raines, Arthur Kennedy.The Capture. 1950. 81 minutos. Blanco y Negro. RKO. Lew Ayres, Teresa Wright, Victor Jory.Escape from Fort Bravo (Fort Bravo). 1953. 98 minutos. Anscocolor. MGM. William Holden, Eleanor Parker, John Forsythe.Bad Day at Black Rock (Conspiracion de silencio). 1955. 81 minutos. East mancolor. CinemaScope. MGM. Spencer Tracy, Robert Ryan, Ann Francis, Walter Brennan, Dean Jagger, Ernest Borgnine.Backlash (El sexto fugitivo). 1956. 84 minutos. Technicolor. Universal. Richard Widmark, Donna Reed, John McIntire.Gunfight at the O.K. Corral (Duelo de titanes). 1957. 122 minutos. Tech ni color. VistaVision. Paramount. Burt Lancaster, Kirk Douglas, Rhonda Fleming, Jo Van Fleet.The Law and Jake Wade (Desafio en la ciudad muerta). 1958. 86 minutos. Metrocolor. CinemaScope. MGM. Richard Widmark, Robert Taylor, Patricia Owens.Last Train from Gun Hill (El ultimo tren de Gun Hill). 1959. 98 minutos. Technicolor. VistaVision. Bryna (Paramount). Kirk Douglas, Anthony Quinn, Carolyn Jones.The Magnificent Seven (Los siete magnificos). 1961. 138 min. Color De - Luxe. Panavision. Mirisch (UA). Yul Brynner, Eli Wallach, Steve McQueen.Sergeants 3 (Tres sargentos). 1962. 112 minutos. Technicolor. Panavision. E-C (UA). Frank Sinatra, Dean Martin, Peter Lawford, Sammy Davis, Jr, Ruta Lee.The Hallelujah Trail (La batalla de las colinas del whisky). 1965. 167 minutos. Technicolor. Ultra Panavision 70. Mirisch/Kappa (UA). Burt Lan caster, Lee Remick, Jim Hutton.Hour of the Gun (La hora de las pistolas). 1967. 100 minutos. Color DeLuxe. Panavision. Mirisch/Kappa (UA). James Garner, Jason Robards, Robert Ryan.Joe Kidd (Joe Kidd). 1972. 87 minutos. Technicolor. Panavision. Malpaso (Universal). Clint Eastwood, Robert Duvall, John Saxon.Valdez, il mezzosangue (Caballos salvajes) (co-d: Duilio Colletti). 1973. 97 minutos. Eastmancolor. Produzioni Cinematografiche Inter.Ma.Co./ Coral P.C./Universal. Productions France. Charles Bronson, Jill Ireland. -
15 Walsh, Raoul
1887-1980Nacido en Nueva York el 11 de marzo de 1887, los primeros anos de la vida de Raoul Walsh son oscuros. Lo encontramos ya, sin duda, en 1907 como actor de la version teatral de “The Clansman”, novela de Thomas Dixon que inspirarara a David W. Griffith su celebre pelicula El nacimiento de una nacion (The Birth of a Nation, 1915). Despues de la correspondiente gira, de vuelta ya en su ciudad natal, continua con su carrera de actor que, entre otros logros, lo lleva a interpretar, a las ordenes de Griffith, el papel de John Wilkes Booth, asesino del presidente Lincoln, en El nacimiento de una nacion. Ya antes, en 1914, habia empezado a dirigir bajo la supervision del propio Griffith.Su primer largometraje, co-realizado por Christy Cabanne, es Life of Villa (1915), pero sus dos peliculas mudas mas famosas son, sin discusion, The Thief of Bagdad (El ladron de Bagdad, 1924), deslumbrante espectaculo visual ro dado para la productora de su protagonista, Douglas Fairbanks, y La fragil voluntad (Sadie Thompson, 1928), melodrama a la medida de su protagonista, Gloria Swanson, que produjo el filme. Hasta entonces, albores ya del sonoro, Walsh no habia prestado una atencion especial al western. Lo hizo de inmediato, como muestran sus primeros filmes sonoros del genero, En el viejo Ari zona (In Old Arizona, 1929), que fue el primero de una larga lista con el Cisco Kid como protagonista, y La gran jornada (The Big Trail, 1930), de larga duracion y largo presupuesto. Precisamente durante el rodaje de la primera de las dos peliculas citadas perdio un ojo en un accidente, por lo que tuvo que ser sustituido por Warner Baxter como protagonista de la pelicula, y auxiliado por Irving Cummings en la direccion. En la Fox entre 1929 y 1935, en la Paramount hasta 1939 y en lo sucesivo en Warner Bros, Raoul Walsh ira consolidando su categoria como realizador hasta 1964, ano de estreno de su ultima pelicula, precisamente un western, hermoso y testimonial.Aunque sus habilidades como creador cinematografico tienen mas largo alcance que el que se limita al western, dejemos constancia de que, con toda probabilidad, es en este genero donde consigue sus mejores obras, sencillas, serenas, con un importante sentido de la narracion en imagenes. Como caso curioso, hay que indicar que Walsh hizo un remake de dos de sus peliculas, El ultimo refugio (High Sierra, 1941), dura historia de gangsters inscrita de lleno en el genero negro que convirtio en una estrella a Humphrey Bogart, y Objetivo Birmania (Objective Burma!, 1945), filme belico. Ambos remakes los realizo en clave de western: Juntos hasta la muerte (Colorado Territory, 1949) y Tam bores lejanos (Distant Drums, 1951), respectivamente. Algo indica este detalle sobre su “aficion” al genero. Al final de su carrera construyo algunos de sus mejores westerns, y tambien alguno que otro en tono de parodia, como Un rey para cuatro reinas (The King and Four Queens, 1956) y La rubia y el sheriff (The Sheriff of Fractured Jaw, 1959).In Old Arizona (En el viejo Arizona) (co-d.: Irving Cummings). 1929. 95 minutos. B y N. Fox. Warner Baxter, Edmund Lowe, Dorothy Burgess.The Big Trail (La gran jornada). 1930. 125 minutos. Blanco y Negro. Fox. John Wayne, Marguerite Churchill.Wild Girl (El beso redentor). 1932. 78 minutos. Blanco y Negro. Fox. Charles Farrell, Joan Bennett, Ralph Bellamy.Dark Command (Mando siniestro). 1940. 93 minutos. Blanco y Negro. Republic. John Wayne, Claire Trevor, Walter Pidgeon.They Died with Their Boots On (Murieron con las botas puestas). 1942. 140 minutos. Blanco y Negro. WB. Errol Flynn, Olivia De Havilland, Arthur Kennedy.Pursued. 1947. 101 minutos. Blanco y Negro. WB. Teresa Wright, Robert Mitchum, Judith Anderson.Cheyenne. 1947. 100 minutos. Blanco y Negro. WB. Dennis Morgan, Jane Wyman, Janis Paige.Silver River (Rio de plata). 1948. 110 minutos. Blanco y Negro. WB. Errol Flynn, Ann Sheridan, Thomas Mitchell.Colorado Territory (Juntos hasta la muerte). 1949. 94 minutos. Blanco y Negro. WB. Joel McCrea, Virginia Mayo, Dorothy Malone, Henry Hull.Along the Great Divide (Camino de la horca). 1951. 88 minutos. Blanco y Negro. WB. Kirk Douglas, Virginia Mayo, John Agar.Distant Drums (Tambores lejanos). 1951. 101 minutos. Technicolor. WB. Gary Cooper, Mari Aldon, Richard Webb.The Lawless Breed (Historia de un condenado). 1953. 83 minutos. Tech nicolor. Universal. Rock Hudson, Julia Adams, Mary Castle, John McIntire.Gun Fury (Fiebre de venganza). 1953. 83 minutos. Technicolor. 3D. Co lumbia. Rock Hudson, Donna Reed, Phil Carey.Saskatchewan (Rebelion en el fuerte). 1954. 87 minutos. Technicolor. Universal. Alan Ladd, Shelley Winters, Robert Douglas.The Tall Men (Los implacables). 1955. 121 minutos. Color DeLuxe. Cinema - Scope. Fox. Clark Gable, Jane Russell, Robert Ryan, Cameron Mitchell.The King and Four Queens (Un rey para cuatro reinas). 1956. 84 minutos. Color DeLuxe. CinemaScope. Russ-Field-Gabco (UA). Clark Gable, Eleanor Parker, Jo Van Fleet.Band of Angels (La esclava libre). 1957. 127 minutos. Warnercolor. WB. Clark Gable, Yvonne De Carlo, Sidney Poitier.The Sheriff of Fractured Jaw (La rubia y el sheriff). 1959. 110 minutos. Color DeLuxe. CinemaScope. Fox. Kenneth More, Jayne Mansfield, Henry Hull.A Distant Trumpet (Una trompeta lejana). 1964. 115 min. Technicolor. Pa navision. Warner Bros. Troy Donahue, Suzanne Pleshette, Diane McBain. -
16 Foster, Norman
1900-1976Norman Hoeffer, nacido en Richmond, Indiana, es el director de seis de las ocho peliculas de misterio que tienen como protagonista a Mr. Moto, encarnado por Peter Lorre, y de tres de las entregas de Charlie Chan. A partir de 1950 trabaja preferentemente para television. Se le recuerda como director “oficial” de Estambul (Journey Into Fear, 1943), que casi todo el mundo considera obra de Orson Welles, quien habia rechazado previamente dirigir la pelicula. La vinculacion de ambos parece clara si tenemos en cuenta que Foster, al fin y a la postre un buen director de cine de genero, sin mas, dirigio My Friend Bonito, segmento de It’s All True, el mitico filme de Welles abortado por la RKO, y que pudo ser estrenado al fin, en una version todo lo fiable que fue posible, en 1993.Viva Cisco Kid. 1940. 70 minutos. Blanco y Negro. Fox. Cesar Romero, Jean Rogers, Chris Pin Martin.Rachel and the Stranger (Vuelve a amanecer). 1948. 93 minutos. Blanco y Negro. RKO. Loretta Young, William Holden, Robert Mitchum.Sky Full of Moon. 1952. 73 minutos. Blanco y Negro. MGM. Carleton Carpenter, Jan Sterling, Keenan Wynn. Davy CrockettKing of the Wild Frontier (Davy Crockett, rey de la frontera). 1955. 93 min. Technicolor. Walt Disney. Fess Parker, Buddy Ebsen.Davy Crockett and the River Pirates (Los piratas del Mississippi). 1956. 81 minutos. Technicolor. Walt Disney. Fess Parker, Buddy Ebsen.Indian Paint (La gran aventura india). 1965. 91 minutos. Eastmancolor. Crown/Eagle/Tejas. Johnny Crawford, Jay Silverheels.English-Spanish dictionary of western films > Foster, Norman
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17 Hillyer, Lambert
1889-1969Enormemente fecundo, este especialista del western (rodo un centenar, entre mudos y sonoros) no desdeno acercarse a otros generos. El resultado es un centenar y medio sobrado de peliculas, en las que no faltan detalles de buen hacer, aunque el ex ceso sumerge el todo en la atonia. Se hizo director con Thomas Ince y logro algun western mudo de buen nivel, como The Narrow Trail (1917), con Wil liam S. Hart, para quien siempre fue su director favorito, co mo protagonista. Trabajo basicamente para Colum bia y Monogram, y hay quien afirma que si Hil lyer hu biera dispuesto de presupuestos holgados, su nombre se incluiria hoy entre los grandes del western.Beau Bandit. 1930. 68 minutos. Blanco y Negro. RKO. Rod LaRocque, Doris Kenyon.The Deadline (Reo ante la ley). 1931. 65 minutos. Blanco y Negro. Columbia. Buck Jones, Loretta Sayers.One Man Law (Fraude legal). 1932. 63 minutos. Blanco y Negro. Columbia. Buck Jones, Shirley Grey.The Fighting Fool. 1932. 58 minutos. Blanco y Negro. Columbia. Tim McCoy, Marceline Day.South of the Rio Grande (El terror de la sierra). 1932. 61 minutos. Blanco y Negro. Columbia. Buck Jones, Mona Maris.Hello Trouble. 1932. 67 minutos. Blanco y Negro. Columbia. Buck Jones, Lina Basquette.White Eagle (El aguila blanca). 1932. 67 minutos. Blanco y Negro. Columbia. Buck Jones, Barbara Weeks.Forbidden Trail. 1932. 71 minutos. Blanco y Negro. Columbia. Buck Jones, Barbara Weeks.The California Trail. 1933. 67 minutos. Blanco y Negro. Columbia. Buck Jones, Helen Mack.Unknown Valley. 1933. 69 minutos. Blanco y Negro. Columbia. Buck Jones, Cecilia Parker.The Fighting Code. 1933. 65 minutos. Blanco y Negro. Columbia. Buck Jones, Diane Sinclair.Sundown Rider (El jinete del ocaso). 1933. 65 minutos. Blanco y Negro. Columbia. Buck Jones, Barbara Weeks.The Man Trailer. 1934. 59 minutos. Blanco y Negro. Columbia. Buck Jones, Cecilia Parker.The Durango Kid. 1940. 60 minutos. Blanco y Negro. Columbia. Charles Starrett, Luana Walters, Bob Nolan.Beyond the Sacramento. 1940. 58 minutos. Blanco y Negro. Columbia. Bill Elliott, Dub Taylor, Evelyn Kayes.The Wildcat of Tucson. 1940. 59 minutos. Blanco y Negro. Columbia. Bill Elliott, Evelyn Young, Dub Taylor.The Pinto Kid. 1941. 61 minutos. Blanco y Negro. Columbia. Charles Starrett, Bob Nolan, Louise Currie.North from the Lone Star. 1941. 58 minutos. Blanco y Negro. Columbia. Bill Elliott, Dorothy Fay, Dub Taylor.The Return of Daniel Boone. 1941. 61 minutos. Blanco y Negro. Columbia. Bill Elliott, Betty Miles, Dub Taylor.Hands Across the Rockies. 1941. 58 minutos. Blanco y Negro. Columbia. Bill Elliott, Mary Daily, Dub Taylor.The Medico of Painted Springs. 1941. 58 minutos. Blanco y Negro. Columbia. Charles Starrett, Terry Walker.The Son of Davy Crockett. 1941. 59 minutos. Blanco y Negro. Columbia. Bill Elliott, Iris Meredith, Dub Tayor.Thunder Over the Prairie. 1941. 61 minutos. Blanco y Negro. Columbia. Charles Starrett, Eileen O’Hearn, Cliff Edwards.King of Dodge City. 1941. 63 minutos. Blanco y Negro. Columbia. Bill Elliott, Tex Ritter, Judith Linden, Dub Taylor.Prairie Stranger. 1941. 68 minutos. Blanco y Negro. Columbia. Charles Starrett, Patti McCarty.Roaring Frontiers. 1941. 60 minutos. Blanco y Negro. Columbia. Bill Elliott, Tex Ritter, Ruth Ford, Frank Mitchell.The Royal Mounted Patrol. 1941. 59 minutos. Blanco y Negro. Columbia. Charles Starrett, Wanda McKay, Russell Hayden.North of the Rockies. 1942. 60 minutos. Blanco y Negro. Columbia. Bill Elliott, Tex Ritter, Shirley Patterson,Frank Mitchell.Devil’s Trail. 1942. 61 minutos. Blanco y Negro. Columbia. Bill Elliott, Tex Ritter, Eileen O’Hearn, Frank Mitchell.Prairie Gunsmoke. 1942. 56 minutos. Blanco y Negro. Columbia. Bill Elliott, Tex Ritter, Virginia Carroll, Frank Mitchell.Vengeance of the West. 1942. 60 minutos. Blanco y Negro. Columbia. Bill Elliott, Tex Ritter, Adele Mara, Frank Mitchell.Fighting Frontier. 1943. 57 minutos. Blanco y Negro. RKO. Tim Holt, Ann Summers, Cliff Edwards.The Stranger from Pecos. 1943. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre.Six Gun Gospel. 1943. 59 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Inna Gest.The Texas Kid. 1943. 59 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Shirley Patterson.Partners of the Trail. 1944. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre.Law Men. 1944. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Jan Wiley.Range Law. 1944. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Ellen Hall.West of the Rio Grande. 1944. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre.Outlaw Brand. 1944. 56 minutos. Blanco y negro. Monogram. Johnny Mack Brown, Raymond Hatton, Nan Holliday.Ghost Guns. 1944. 60 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Evelyn Finley.Stranger from Santa Fe. 1945. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Beatrice Gray.Beyond the Pecos. 1945. 58 minutos. Blanco y Negro. Universal. Robert Cameron, Eddie Dew, Fuzzy Knight, Jennifer Holt.Flame of the West. 1945. 70 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Joan Woodbury.South of the Rio Grande. 1945. 62 minutos. Blanco y Negro. Monogram. Duncan Renaldo, Martin Galarraga, Armida, Lillian Molieri.The Lost Trail. 1945. 53 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Jennifer Holt.Frontier Feud. 1945. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre.Border Bandits. 1946. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Rosa del Rosario.Under Arizona Skies. 1946. 59 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Reno Browne.The Gentleman from Texas. 1946. 55 min. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Claudia Drake, Reno Browne, Christine McIntyre.Trigger Fingers. 1946. 56 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Jennifer Holt.Shadows on the Range. 1946. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Jan Bryant.Silver Range. 1946. 53 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Jan Bryant.Raiders of the South. 1947. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Evelyn Brent, Reno Browne.Valley of Fear. 1947. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre.Trailing Danger. 1947. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Peggy Wynne.Land of the Lawless. 1947. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre, June Harrison.The Law Comes to Gunsight. 1947. 56 minutos. Blanco y Negro. Mono gram. Johnny Mack Brown, Raymond Hatton, Reno Browne.Flashing Guns. 1947. 59 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Jan Bryant.Prairie Express. 1947. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Virginia Belmont.Gun Talk. 1947. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine McIntyre, Geneva Gray.Song of the Drifter. 1948. 53 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Mildred Coles.Overland Trails. 1948. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Virginia Belmont.Oklahoma Blues. 1948. 56 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Virginia Belmont.Crossed Trails. 1948. 53 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Lynne Carver.Sundown Riders. 1948. 65 minutos. Color (Kodachrome). Film Enter prises. Russell Wade, Jay Kirby, Andy Clyde, Evelyn Finley.Frontier Agent. 1948. 56 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Reno Browne, Raymond Hatton.Range Renegades. 1948. 54 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Jennifer Holt.The Fighting Ranger. 1948. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Christine Larson.Partners of the Sunset. 1948. 53 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Christine Larsen.The Sheriff of Medicine Bow. 1948. 55 minutos. Blanco y Negro. Mono gram. Johnny Mack Brown, Raymond Hatton, Max Terhune, Evelyn Finley.Outlawd Brand. 1948. 58 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Kay Morley.Gun Runner. 1949. 54 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Noel Neill.Gun Law Justice. 1949. 55 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Jane Adams.Trail’s End. 1949. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Max Terhune, Kay Morley.Haunted Trails. 1949. 58 minutos. Blanco y Negro. Monogram. Whip Wilson, Andy Clyde, Reno Browne.Riders of the Dusk. 1949. 57 minutos. Blanco y Negro. Monogram. Whip Wilson, Andy Clyde, Reno Browne.Range Land. 1949. 56 minutos. Blanco y Negro. Monogram. Whip Wilson, Andy Clyde, Reno Browne.English-Spanish dictionary of western films > Hillyer, Lambert
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18 Friedlander, Louis
1901-1962 (o Lew Landers)Louis Friedlander, o Lew Landers, es un caso notable de fecundidad filmica. Mas de 150 peliculas lo contemplan entre 1934 y 1962, ano de su muerte.Dirigio dramas, peliculas de aventuras, comedias, peliculas belicas y de ciencia-ficcion, de ambiente criminal y, por supuesto, westerns. Un buen punado de ellos, sobre todo filmes de serie y un par de seriales. Estamos ante un director competente que hizo todo lo que se podia hacer con el material que se ponia en sus manos. Son justamente famosas El cuervo (The Raven, 1935), con Boris Karloff, basada en el relato de Edgar Allan Poe, Blind Alibi (1938), de ambiente opresivo, y el western Bad Lands, donde hace gala de un uso preciso de los primeros planos. Estas dos ultimas peliculas son productos RKO, productora para la que Friedlander trabajo extensamente, como, por otra parte, para Universal, Columbia, Republic o PRC.The Red Rider. 1934. 15 capitulos. Blanco y Negro. Universal. Buck Jones, Grant Whiters, Marion Shilling.The Rustlers of Red Dog. 1935. 231 minutos. 12 capitulos. Blanco y Negro. Universal. Johnny Mack Brown, Raymond Hatton, Joyce Compton.Stormy (La marca de Cain). 1935. 69 minutos. Blanco y Negro. Universal. Fred Kohler, Jean Rogers.Border Cafe. 1937. 69 minutos. Blanco y Negro. RKO. Harry Carey, Armida.The Girl and the Gambler. 1939. 63 minutos. Blanco y Negro. RKO. Leo Carrillo, Tim Holt, Steffi Duna.Bad Lands. 1939. 70 minutos. Blanco y Negro. RKO. Robert Barrat, Noah Beery, Jr., Guinn Williams, Francis Ford.Wagons Westward (La caravana del Oeste). 1940. 70 minutos. Blanco y Negro. Republic. Chester Morris, Anita Louise, Buck Jones.Ridin’ on a Rainbow. 1941. 79 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Carol Adams.Back in the Saddle. 1941. 73 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Jacqueline Wells.The Singing Hill. 1941. 75 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Virginia Dale.Deerslayer. 193. 67 minutos. Blanco y Negro. Republic. Bruce Kellogg, Jean Parker, Larry Parks.Cowboy Canteen. 1944. 72 minutos. Blanco y Negro. Columbia. Charles Starrett, Jane Frazee, Tex Ritter, Barbara Jo Allen.Swing in the Saddle. 1944. 69 minutos. Blanco y Negro. Columbia. Jane Frazee, Guinn Williams, Slim Summerville.Black Arrow (Flecha negra) (co-d.: B. Reeves Eason). 1944. 15 capitulos. Blanco y Negro. Columbia. Robert Scott, Adele Jergens.Death Valley. 1946. 72 minutos. Cinecolor. Screen Guild. Lobert Lowery, Nat Pendleton, Helen Gilbert.Thunder Mountain. 1947. 60 minutos. Blanco y Negro. RKO. Tim Holt, Martha Hyer, Richard Martin.Under the Tonto Rim. 1947. 61 minutos. Blanco y Negro. RKO. Tim Holt, Nan Leslie, Richard Martin.Adventures of Gallant Bess. 1948. 71 minutos. Cinecolor. Eagle-Lion. Cameron Mitchell, Audrey Long, Fuzzy Knight.Stagecoach Kid. 1949. 60 minutos. Blanco y Negro. RKO. Tim Holt, Richard Martin, Carolyn Hugues.Law of the Barbary Coast. 1949. 65 minutos. Blanco y Negro. Columbia. Gloria Henry, Stephen Dunne, Adele Jergens.Davy Crockett, Indian Scout. 1950. 71 minutos. Blanco y Negro. UA. George Montomery, Ellen Drew, Philip Reed.Dynamite Pass. 1950. 61 minutos. Blanco y Negro. RKO. Tim Holt, Richard Martin, Lynne Roberts.When the Redskins Rode. 1951. 78 minutos. Supercinecolor. Columbia. Jon Hall, Mary Castle.California Conquest (El hidalgo). 1952. 79 minutos. Technicolor. Columbia. Cornel Wilde, Teresa Wright.Captain John Smith and Pocahontas. 1953. 75 minutos. Pathecolor. UA. Anthony Dexter, Jody Lawrence, Alan Hale, Jr.English-Spanish dictionary of western films > Friedlander, Louis
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19 Architecture and building
Biographical history of technology > Architecture and building
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20 Paper and printing
See also: INDEX BY SUBJECT AREA[br]Biro, Laszlo JoszefBi ShengCai LunKlic, KarolSong YingxingStanhope, Charles
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Robert Parker — Robert M. Parker, 2005 Robert M. Parker (* 23. Juli 1947 in Baltimore, Maryland, USA) ist ein US amerikanischer Weinkritiker und autor. Parker ist ausgebildeter Rechtsanwalt und betreibt seit fast 30 Jahren professionellen Weinjournalismus. Seine … Deutsch Wikipedia
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Robert Parker (singer) — Robert Parker (born 14 October 1930, New Orleans, Louisiana) is an American R B singer and musician, best known for his 1966 hit, Barefootin’ .Parker started his career as a saxophonist, playing with Professor Longhair on his hit Mardi Gras In… … Wikipedia
Robert Parker (judge) — Robert Parker (June 26 1796 ndash; November 24 1865) was a lawyer, judge and political figure in New Brunswick. He represented St. John County in the Legislative Assembly of New Brunswick from 1826 to 1830.He was born in Saint John, New Brunswick … Wikipedia
Robert Parker (juge) — Pour les articles homonymes, voir Parker. Robert Parker, B.A., M.A. (né le 26 juin 1796, décédé le 24 novembre 1865) était un avocat, homme politique et juge néo brunswickois. Né à Saint Jean (Nouveau Brunswick), il fait ses études au King s… … Wikipédia en Français
